Showing posts with label Source Code. Show all posts
Showing posts with label Source Code. Show all posts

Source Code will be hitting VOD before DVD...

...potentially changing the current structure for home video releasing. Here's the story from Variety:

Summit Entertainment is the latest distributor to experiment with the video-on-demand window, announcing that "Source Code" will be available on VOD and electronic sell through July 8 -- some 98 days after its April 1 theatrical release but two weeks before the thriller bows on DVD and Blu-ray.

That window isn't part of the $30 60-day premium window that Fox, Sony, Universal and Warner Bros. established this spring with DirecTV. But the mini-major, which was not a part of those deals, is still bucking the traditional VOD model, in which on-demand titles are available at the same time as DVD releases for around $5. "Source Code" earned $110 million worldwide.

There are no specifics yet on pricing; it's up to the cablers, satcasters and e-tailers to set that figure -- not studios. However, since the early "Code" release is considered a test, none of the service providers are expected to raise the price much beyond the current $5 figure.

"Source Code" DVDs and Blu-rays are released widely on July 26, Other studios have a 28 day delay before titles are available via Netflix and Redbox.

Summit said it is using the film's unconventional home entertainment launch to test the demand for viewing a bigger-budgeted film digitally prior to the release of physical discs.

"While we are optimistic about the consumer appetite for this type of home entertainment release pattern, we are only conducting a test in this case and not making an overall policy shift at this time," said Steve Nickerson, prexy, Summit Home Entertainment. "Once the results are in we will analyze the data and see what the consumer has to say."

-Joey's Two Cents: I'm not really much for on demand yet, but I'll be keeping a close eye on this development...thoughts?

Box Office Bulletin: "Rio" holds off "Madea"...

Via Box Office Mojo, The Numbers, and other sources:

Another strong weekend at the box office saw animated and family fare reap the benefits of a heavily attended Easter weekend. "Rio" retained the #1 spot in estimated box office figures, edging out Tyler Perry's latest Madea film, while "Hop" saw an expected Easter bump to cross the $100 million mark in gross earnings.

"Rio" dropped a modest 32% in estimated figures, moving its domestic 10-day box office gross to $81 million. Worldwide the film continues to have massive success, earning more than $202 million in 17 days. While tracking seems to indicate that "Fast Five", the fifth film in the "Fast & The Furious" franchise will debut strong in the April 29 box office weekend, "Rio" should hold on for a strong third weekend. No doubt about it, "Rio" is a bonafide smash.

The other animated feature in wide release, "Hop" saw an uptick of 16% in the Easter weekend, the holiday that the film is centered around. If estimates hold, "Hop" will become the third film to surpass $100 million so far in 2011, joining "Rango" and "Just Go With It" in achieving that milestone. Expectations are that "Hop" will freefall, perhaps as early as next weekend, with "Rio" delivering strong numbers and two other family films, "Hoodwinked Too..." and "Prom" attempting to pull dollars from the family audience.

NEW OPENINGS:

"Tyler Perry's Madea's Big Happy Family" was not the director's best opening but performed on pace with many of his other offerings. "...Family", the sixth film to feature Perry's grandmotherly Madea character, opened on more screens than any other Perry feature (2,288) and pulled in an estimated $25.7 million. Tyler Perry's films typically have two strong weekends and then decline rapidly in attendance, so this opening could foresee a total gross of approximately $50-$55 million when all is said and done.

Robert Pattinson and Reese Witherspoon's "Water For Elephants" performed better than anticipated, landing in third place with approximately $17.5 million on a budget of $38 million. Curiously, it was Witherspoon's name who came first in the marketing of the film, perhaps because Pattinson's last non-"Twilight" feature, "Remember Me" was a huge box office disappointment. Although Pattinson's performance was the focal point of the film's mixed reviews, the film reportedly played well overall with audiences and should land in the high-$40 to mid $50 million range. Certainly an acceptable return theatrically for 20th Century Fox's anticipations.

DisneyNature's third consecutive Easter film opening, "African Cats", landed a solid $6.4 million estimated opening, placing it behind "Earth" and just ahead of "Oceans" in terms of success with the DisneyNature brand of documentaries. A total gross around $20 million should be expected for the well-received film, narrated by Samuel L. Jackson.

A look at some notable indies and more after the cut!

ALSO OF NOTE

The heavily attended Easter weekend saw some Top 10 mainstays suffer only nominal to small drop offs, with one distinct exception.

"Source Code" continued to take slow and modest declines and only fell 18.5% in total estimated receipts. Elsewhere, "Insidious", "Soul Surfer", and "Hanna" lost just a quarter of their previous weekend's audience. All four films have been consistent draws and in all instances have eclipsed their budgets, utilizing strong word-of-mouth to stay relevant and in lots of locations.

"Scream 4" took an expected slide in its second weekend, earning an approximate $7.2 million. Although the film had a pretty sturdy week overall and gave rise to muted optimism for a decent second weekend, the film plummeted more than 61%. With a dropoff of more than 60%, the estimated final tally of $50-$55 million seems like it may be hard to hit, causing this to be an even further disappointment for all involved.

In smaller releases, the much talked about documentary, "POM Wonderful Presents: The Greatest Movie Ever Sold" had a solid start, earning $135k at 18 locations. The film, directed by Morgan Spurlock, was entirely funded by companies via product placement and analyzes the influence corporations have on today's entertainmen. Sony Pictures Classics looks to expand the film over the next few weeks. Spurlock's last film, 2008's "Where In The World Is Osama Bin Laden?" earned $148k on more than 100 locations in its opening weekend, so Spurlock has made a comeback of sorts with this opening. Spurlock's debut, "Super Size Me", earned over $11 million for comparisons.

The Canadian entry and nominee for Best Foreign Language Film at this past year's Oscar ceremony, "Incendies", finally hit the U.S. box office and had an impressive $54k opening at just 3 locations. The Sony Pictures Classics approach seems to mirror the rollout given to the Oscar winner in the same category, Denmark's "In A Better World". That film has earned approximately $300k in 4 weeks of release thus far.

Adding 13 locations and drawing some big buzz from an appearance on the Oprah Winfrey show, Tom Shadyac's introspective documentary "I Am" improved more than 570% and earned $141k, raising its total haul to more than $567k in 10 weeks.

Overall, the weekend box office surged to an estimated $124 million grossed by the Top 12 films, a gain of an additional 6.1% from the previous weekend, and earning the highest tally amongst the Top 12 since "Unknown" edged out "Gnomeo and Juliet" to win 2011's President's Day weekend.

THE TOP 10 (Estimates, with Actuals reported on Monday)

1. "Rio" (20th Century Fox), $26.8 million, 81.3 million, 2 wks
2. "Tyler Perry's Madea's Big Happy Family" (Lionsgate), $25.8 million, NEW
3. "Water For Elephants" (20th Century Fox), $17.5 million, NEW
4. "Hop" (Universal), $12.5 million, $100.5 million, 4 wks
5. "Scream 4" (Weinstein Co./Dimension), $7.2 million, $31.2 million, 2 wks
6. "African Cats" (Buena Vista), $6.4 million, NEW
7. "Soul Surfer" (TriStar/FilmDistrict), $5.6 million, $28.7 million, 3 wks
8. "Insidious" (FilmDistrict), $5.4 million, $44.2 million, 4 wks
9. "Hanna" (Focus), $5.3 million, $31.7 million, 3 wks
10. "Source Code" (Summit), $5.1 million, $44.7 million, 4 wks

Box Office Actuals: April 15-17, 2011

Via Box Office Mojo, The Numbers, and other sources:

Despite a slight overestimation, "Rio" still delivered the biggest opening weekend of 2011 with $39.2 million in box office receipts. "Rio" was just the latest in a steady stream of popular animated features for the year, following in the footsteps of "Hop", "Rango", and "Gnomeo and Juliet". "Rio" has already amassed $170 million in worldwide box office, as the film was released overseas a week ahead of its North American release.

"Rio"'s success was supposed to be in concert with comparable numbers for the much anticipated "Scream 4", a rekindling of the 90's franchise that earned $300 million domestically from its initial trio of films. 11 years went by, the stars of the franchise traveled up and down the A-list, but back together once more, excitement was there. Some terrific reviews, with most of them average-to-good, did not translate to audience. An opening Friday led to a diminished interest as the weekend went on and the film opened to a disappointing $18.7 million. The hopes of a comparable final gross are seemingly dashed as this muted "Scream" should earn approximately $50-$55 million by the end of its run.

Although initially reported as a Top 10 debut for Robert Redford and Roadside Attractions, "The Conspirator" opened at #11 with actual receipts counted. Top 10 debut or not, the film still delivered a comparable number to its estimate with $3.5 million earned at 707 locations. "The Conspirator" has become the largest opening gross for a Roadside Attractions film and could move past the Oscar-nominated "Winter's Bone" ($6.5 million) and "Bella" ($8.1 million) as the upstart's biggest success to date.

The Tea Party-endorsed "Atlas Shrugged Part I" amassed an intriguing $1.7 million at a mere 299 locations. The film, an adaptation from the writings of Ayn Rand, drew miserable reviews from critics but supporters of the film used those dismissals as a galvanizing effort in getting out to see the film. Rocky Mountain Films released the film strategically around the country and received a large amount of promotion for Right-wing and Republican-themed talk shows. This attention allowed Rocky Mountain to save on buying TV ad spots and other expensive marketing vehicles. Time will tell if this is going to sustain a second weekend and Rocky Mountain had not yet announced whether they would be expanding the film this coming weekend.

"Win Win" continues to grow and more analysis after the cut:


Three films held impressive declines within the Top 10. "Soul Surfer" slid a mere 31% in its second weekend as the film moved past its $18 million budget and held a slot in the Top 5. "Insidious" and "Source Code" both retained nearly 75% of its previous weekend's audience and continue to draw steady audiences weeks after their openings. In a third weekend for most horror and science fiction releases, audiences begin to look elsewhere, so both films are showing some impressive stamina.

"Win Win" opened in another 158 locations and saw an 11% bump, earning $1.3 million to bring it's overall take to just over $5.0 million.

The Oscar-winning Best Foreign Language Film, "In A Better World", may seem like a movie lost in the shuffle for those who wanted to see it after it took home the Oscar. It is out there at 30 locations and the film still has a modest per-screen average, gaining 61% with its modest expansion. The film has now earned $183k.

Documentary "Armadillo", a controversial and unflinching look at Danish soldiers fighting in Afghanistan, had a mediocre $4k haul from one site. The film has been compared to a more graphic and shocking documentary in the style of the critically acclaimed "Restrepo".

"The Double Hour", a romantic thriller with a twist, bested last week's opening of Oscar-buzzed "Meek's Cutoff", earning $30k at two locations. "Meek's Cutoff" played in the same sites as its opening weekend and saw receipts fall nearly 30%.

THE WEEKEND BREAKDOWN

#1 Film - "Rio", earned $39.2 million

Last Year's #1 Film at this time: "Kick-Ass", earned $19.8 million

Biggest Per Screen Average: "The Double Hour", $15,123 at 2 locations ($3ok cumulative)

Worst Per Screen Average (50+ Sites): "The Last Lions", $200 at 61 locations ($12,228,
$607k cumulative)


Largest Increase (50+ Sites): "Gnomeo And Juliet", +92.7%

Steepest Decline (50+ Sites): "Red Riding Hood", -75.2%

Films Earning More Than $1m for the weekend: 15

Films Which Surpassed $100m: N/A

Films Which Surpassed Reported Budget This Weekend: Soul Surfer, Source Code

The Top 40, with other notables!


TW

LW

DAY

FILM (STUDIO)

WKD

TOTAL

% CHG

1

N

3

Rio (20th Century Fox)

$39.2m

$39.2m

New

2

N

3

Scream 4 (Weinstein/Dimension)

$18.7m

$18.7m

New

3

1

17

Hop (Universal)

$10.7m

$82.2m

-49.7

4

2

10

Hanna (Focus)

$7.3m

$23.3m

-41.1

5

4

10

Soul Surfer (TriStar/FilmDistrict)

$7.3m

$19.9m

-31.4

6

3

10

Arthur (Warner Bros.)

$6.8m

$22.2m

-44.7

7

5

17

Insidious (FilmDistrict)

$6.7m

$35.9m

-28.0

8

7

17

Source Code (Summit)

$6.2m

$36.9m

-28.2

9

6

10

Your Highness (Universal)

$4.0m

$16.1m

-57.1

10

8

31

Limitless (Relativity)

$3.6m

$69.6m

-33.0

11

N

3

The Conspirator (Roadside Attractions)

$3.5m

$3.5m

New

12

10

31

The Lincoln Lawyer (Lionsgate)

$2.9m

$50.5m

-32.6

13

9

24

Diary Of A Wimpy Kid: Rodrick Rules (20th Century Fox)

$2.1m

$48.1m

-56.4

14

N

3

Atlas Shrugged: Part I (Rocky Mountain)

$1.7m

$1.7m

New

15

16

31

Win Win (Fox Searchlight)

$1.3m

$5.0m

+11.0

16

15

38

Jane Eyre (Focus)

$993k

$6.6m

-14.2

17

11

45

Rango (Paramount)

$716k

$118.8m

-68.9

18

18

10

Born To Be Wild IMAX (Warner Bros.)

$625k

$1.8m

-28.3

19

12

24

Sucker Punch (Warner Bros.)

$606k

$35.3k

-71.2

20

14

38

Battle: Los Angeles (Sony)

$507k

$82.2m

-66.8

21

13

31

Paul (Universal)

$485k

$36.1m

-72.2

22

28

66

Gnomeo And Juliet (Buena Vista)

$408k

$97.8m

+92.7

23

17

45

The Adjustment Bureau (Universal)

$357k

$60.7m

-59.3

24

25

66

Just Go With It (Sony)

$271k

$102.3m

+2.0

25

21

17

The King's Speech PG-13 (Weinstein Co.)

$254k

$2.5m

-49.4

26

19

10

No Eres Tu, Soy Yo (Lionsgate)

$246k

$988k

-58.3

27

24

52

Hall Pass (Warner Bros./New Line)

$235k

$44.6m

-12.1

28

22

59

Unknown (Warner Bros.)

$171k

$63.4m

-38.1

29

32

24

Potiche (Music Box)

$157k

$637k

+13.1

30

30

52

Of Gods And Men (Sony Classics)

$152k

$3.0m

-16.0

31

20

38

Red Riding Hood (Warner Bros.)

$127k

$36.9m

-75.2

32

29

117

True Grit (Paramount)

$105k

$171.0m

-49.9

33

38

395

Hubble 3D (Warner Bros.)

$99k

$23.8m

+4.0

34

31

59

Big Mommas... (20th Century Fox)

$86k

$37.6m

-43.6

35

26

10

Thank You (UTV)

$86k

$392k

-64.8

36

27

145

Tangled (Buena Vista)

$86k

$199.6m

-61.2

37

39

31

Bill Cunningham New York (Zeitgeist)

$78k

$549k

-10.3

38

34

38

Certified Copy (IFC)

$77k

$984k

-30.2

39

82

185

The Salvation Poem (Poema de Salvacion) (CanZion)

$73k

$801k

+1,067.9

40

46

17

In A Better World (Sony Classics)

$72k

$183k

+60.8

BUBBLING UNDER INCREASES AND OPENINGS:

47. “Super” (IFC), $38k, $146k total, +32.6%

48. “Under The Sea 3D” (Warner Bros.), $36k, $26.7m total, +25.0%

51. “The Double Hour” (Samuel Goldwyn), $30k, NEW

54. “The Princess Of Montpensier” (IFC), $23k, NEW

58. "Henry's Crime" (Moving Pictures), $18k, $29k total, +111.9