Showing posts with label In A Better World. Show all posts
Showing posts with label In A Better World. Show all posts

Box Office Bulletin: "Fast Five" Obliterates the Competition...

Via Box Office Mojo, The Numbers, Deadline, and other sources:

The Summer Movie Season, which typically kicks off in the first weekend of May, hit early with a staggering and stunning record-setting opening for "Fast Five", the fifth film in "The Fast & The Furious" franchise. Hauling in a likely overestimated but still incredible $83.6 million, "Fast Five" not only had the biggest opening ever for the series, but delivered the largest April opening weekend of all time, breaking its own record-setting $71 million "Fast and Furious" entry in April 2009. People knew the film would deliver the biggest opening weekend of the year, but this debut, even when revised actuals drop the number a bit on Monday, far exceeded most expectations. Speculation turned from the worry of diminished box office returns to a tone of optimism that perhaps "Fast Five" could kickstart a wave of films which will have wide-ranging commercial appeal. We shall see.

While "Rio", "Rango", and "Hop" had delivered the biggest openings so far in 2011, "Fast Five" more than doubled the best of those openings and the film already ranks as the 7th biggest grossing film of 2011. "Fast Five"could reach $100 million in total receipts by next weekend when "Fast Five" lines up next to the eagerly anticipated "Thor". And what if "Fast Five" can hold off and outrun "Thor"? Stay tuned...

NEW OPENINGS:

The brutal reality of the other weekend's openings is that no one truly cared about any of the other offerings. The estimated per screen averages for Disney's "Prom" and The Weinstein Company's "Hoodwinked Too! Hood Vs. Evil" were on par with films that have played for 4 or 5 weeks. Although in Disney's case, the poor performance may not be too disappointing in the long run.

"Prom", which was advertised as a non-musical "High School Musical" style film earned $5 million with a dismal $1,832 per screen average. Dismal that is, unless you are budgeted at $8 million, in which case the film may be profitable by the weekend. Nikki Finke at Deadline reports however that this is still going to be recognized as a major disappointment for Disney and raises questions as to why the film was not just morphed into a 4th "HSM" feature. Whether the film is a bomb or not can be left open to interpretation, but Disney execs are spinning this as a success. With the rush to DVD and probable multiple airings on the Disney Channel by the fall, "Prom" may not be as terrible a performer as many are speculating.

There really is no spin that can be leveraged at The Weinstein Company's "Hoodwinked Too! Hood Vs. Evil" however. Opening to a paltry $4.1 million and $1,653 per screen average at 2,505 locations, "Hoodwinked Too!" delivered the worst 3-D opening of all time for a wide release. Budgeted at $30 million, this ill-conceived sequel will likely lose money and provide a reversal of fortunes when compared to the surprising $51 million haul of 2005's "Hoodwinked". Nikki Finke shared an insider's Email on the film, which stated: "Between Blue Valentine, Company Of Men, Scream 4, and this film, they are starting to give back all the money they made on The King's Speech." Ouch.

Although it opened at a scant 875 locations, the comic book adaptation, "Dylan Dog: Dead Of Night" was a non-starter for OmniLab Media and Freestyle Releasing. Not screened for critics ahead of its release, this comedic/horror hybrid starring former "Superman", Brandon Routh, arrived with little in the way of promotion. Grossing $885k, fans of the supernatural horror series were reportedly not pleased at the film being more comedy and less chills and thrills. Italian audiences, where the comic originated from, were also less than thrilled last month when the film opened there.

Other notable trends and happenings after the cut!


ALSO OF NOTE

"Rio" became the fourth film to move past $100 million at the box office, joining "Rango", "Hop", and "Just Go With It" in reaching that plateau. Two other films, "The Green Hornet" and "Gnomeo And Juliet" continue to play in theaters and are desperately trying to reach that summit; however, both films are stuck in the $98 million range.

The expected post-Easter drop off came for "Hop" and the film was abandoned to the tune of shedding 79% of its Easter weekend audience. When actuals are tallied, "Hop" should secure one final week inside the Top 10.

Werner Herzog's G-rated 3-D documentary, "Cave of Forgotten Dreams", which has earned some early Oscar buzz had a strong start, scoring an impressive $25,400 per screen average at 5 sites for an estimated opening of $127k. Near unanimous reviews and Herzog's loyal fanbase paced this to a notable debut. If IFC can broaden the reach of this and market it effectively, this could turn into a pretty nice success.

Takashi Miike's ultra-violent and ultra-anticipated "13 Assassins" scored a projected $40k start at 4 locations. Many of Miike's features have arrived in the States without theatrical release, but this opening bests the first weekends of 2005's "Three...Extremes" and 2007's "Sukiyaki Western Django". Magnolia Pictures opened the film in New York, Los Angeles, and Texas (?!).

Elsewhere, the much-buzzed Tom Shadyac documentary, "I Am", gained another 10% as it widened to 46 locations, earning an approximate haul of $141k. The film looks to be well on its way in providing upstart studio Paladin with its first $1 million grossing feature.

Expansions for Foreign Language Film nominee "Incendies" and Oscar winner "In A Better World" were again gains for Sony Pictures Classics. At 10 screens, "Incendies" surged 42% while "...World" saw a more modest 8% increase playing at 41 locations.

Overall, the weekend box office earned an estimated $142 million grossed by the Top 12 films, a gain of an additional 17.1% from the previous weekend. The Top 12 from the same weekend in 2010 amassed just $91.7 million when "Nightmare On Elm Street" led the tally with a $33 million opening.

THE TOP 10 (Estimates, with Actuals reported on Monday)

1. "Fast Five" (Universal), $83.6 million, NEW
2. "Rio" (20th Century Fox), $14.4 million, $103.6 million, 3 wks
3. "Tyler Perry's Madea's Big Happy Family" (Lionsgate), $10.1 million, $41.1 million, 2 wks
4. "Water For Elephants" (20th Century Fox), $9.1 million, $32.3 million, 2 wks
5. "Prom" (Buena Vista), $5.0 million, NEW
6. "Hoodwinked Too! Hood Vs. Evil" (Weinstein Co.), $4.1 million, NEW
7. "Soul Surfer" (TriStar/FilmDistrict), $3.3 million, $33.8 million, 4 wks
8. "Insidious" (FilmDistrict), $2.7 million, $48.3 million, 5 wks
9. "Hop" (Universal), $2.6 million, $105.3 million, 5 wks
10. "Source Code" (Summit), $2.5 million, $48.9 million, 5 wks

Box Office Actuals: April 15-17, 2011

Via Box Office Mojo, The Numbers, and other sources:

Despite a slight overestimation, "Rio" still delivered the biggest opening weekend of 2011 with $39.2 million in box office receipts. "Rio" was just the latest in a steady stream of popular animated features for the year, following in the footsteps of "Hop", "Rango", and "Gnomeo and Juliet". "Rio" has already amassed $170 million in worldwide box office, as the film was released overseas a week ahead of its North American release.

"Rio"'s success was supposed to be in concert with comparable numbers for the much anticipated "Scream 4", a rekindling of the 90's franchise that earned $300 million domestically from its initial trio of films. 11 years went by, the stars of the franchise traveled up and down the A-list, but back together once more, excitement was there. Some terrific reviews, with most of them average-to-good, did not translate to audience. An opening Friday led to a diminished interest as the weekend went on and the film opened to a disappointing $18.7 million. The hopes of a comparable final gross are seemingly dashed as this muted "Scream" should earn approximately $50-$55 million by the end of its run.

Although initially reported as a Top 10 debut for Robert Redford and Roadside Attractions, "The Conspirator" opened at #11 with actual receipts counted. Top 10 debut or not, the film still delivered a comparable number to its estimate with $3.5 million earned at 707 locations. "The Conspirator" has become the largest opening gross for a Roadside Attractions film and could move past the Oscar-nominated "Winter's Bone" ($6.5 million) and "Bella" ($8.1 million) as the upstart's biggest success to date.

The Tea Party-endorsed "Atlas Shrugged Part I" amassed an intriguing $1.7 million at a mere 299 locations. The film, an adaptation from the writings of Ayn Rand, drew miserable reviews from critics but supporters of the film used those dismissals as a galvanizing effort in getting out to see the film. Rocky Mountain Films released the film strategically around the country and received a large amount of promotion for Right-wing and Republican-themed talk shows. This attention allowed Rocky Mountain to save on buying TV ad spots and other expensive marketing vehicles. Time will tell if this is going to sustain a second weekend and Rocky Mountain had not yet announced whether they would be expanding the film this coming weekend.

"Win Win" continues to grow and more analysis after the cut:


Three films held impressive declines within the Top 10. "Soul Surfer" slid a mere 31% in its second weekend as the film moved past its $18 million budget and held a slot in the Top 5. "Insidious" and "Source Code" both retained nearly 75% of its previous weekend's audience and continue to draw steady audiences weeks after their openings. In a third weekend for most horror and science fiction releases, audiences begin to look elsewhere, so both films are showing some impressive stamina.

"Win Win" opened in another 158 locations and saw an 11% bump, earning $1.3 million to bring it's overall take to just over $5.0 million.

The Oscar-winning Best Foreign Language Film, "In A Better World", may seem like a movie lost in the shuffle for those who wanted to see it after it took home the Oscar. It is out there at 30 locations and the film still has a modest per-screen average, gaining 61% with its modest expansion. The film has now earned $183k.

Documentary "Armadillo", a controversial and unflinching look at Danish soldiers fighting in Afghanistan, had a mediocre $4k haul from one site. The film has been compared to a more graphic and shocking documentary in the style of the critically acclaimed "Restrepo".

"The Double Hour", a romantic thriller with a twist, bested last week's opening of Oscar-buzzed "Meek's Cutoff", earning $30k at two locations. "Meek's Cutoff" played in the same sites as its opening weekend and saw receipts fall nearly 30%.

THE WEEKEND BREAKDOWN

#1 Film - "Rio", earned $39.2 million

Last Year's #1 Film at this time: "Kick-Ass", earned $19.8 million

Biggest Per Screen Average: "The Double Hour", $15,123 at 2 locations ($3ok cumulative)

Worst Per Screen Average (50+ Sites): "The Last Lions", $200 at 61 locations ($12,228,
$607k cumulative)


Largest Increase (50+ Sites): "Gnomeo And Juliet", +92.7%

Steepest Decline (50+ Sites): "Red Riding Hood", -75.2%

Films Earning More Than $1m for the weekend: 15

Films Which Surpassed $100m: N/A

Films Which Surpassed Reported Budget This Weekend: Soul Surfer, Source Code

The Top 40, with other notables!


TW

LW

DAY

FILM (STUDIO)

WKD

TOTAL

% CHG

1

N

3

Rio (20th Century Fox)

$39.2m

$39.2m

New

2

N

3

Scream 4 (Weinstein/Dimension)

$18.7m

$18.7m

New

3

1

17

Hop (Universal)

$10.7m

$82.2m

-49.7

4

2

10

Hanna (Focus)

$7.3m

$23.3m

-41.1

5

4

10

Soul Surfer (TriStar/FilmDistrict)

$7.3m

$19.9m

-31.4

6

3

10

Arthur (Warner Bros.)

$6.8m

$22.2m

-44.7

7

5

17

Insidious (FilmDistrict)

$6.7m

$35.9m

-28.0

8

7

17

Source Code (Summit)

$6.2m

$36.9m

-28.2

9

6

10

Your Highness (Universal)

$4.0m

$16.1m

-57.1

10

8

31

Limitless (Relativity)

$3.6m

$69.6m

-33.0

11

N

3

The Conspirator (Roadside Attractions)

$3.5m

$3.5m

New

12

10

31

The Lincoln Lawyer (Lionsgate)

$2.9m

$50.5m

-32.6

13

9

24

Diary Of A Wimpy Kid: Rodrick Rules (20th Century Fox)

$2.1m

$48.1m

-56.4

14

N

3

Atlas Shrugged: Part I (Rocky Mountain)

$1.7m

$1.7m

New

15

16

31

Win Win (Fox Searchlight)

$1.3m

$5.0m

+11.0

16

15

38

Jane Eyre (Focus)

$993k

$6.6m

-14.2

17

11

45

Rango (Paramount)

$716k

$118.8m

-68.9

18

18

10

Born To Be Wild IMAX (Warner Bros.)

$625k

$1.8m

-28.3

19

12

24

Sucker Punch (Warner Bros.)

$606k

$35.3k

-71.2

20

14

38

Battle: Los Angeles (Sony)

$507k

$82.2m

-66.8

21

13

31

Paul (Universal)

$485k

$36.1m

-72.2

22

28

66

Gnomeo And Juliet (Buena Vista)

$408k

$97.8m

+92.7

23

17

45

The Adjustment Bureau (Universal)

$357k

$60.7m

-59.3

24

25

66

Just Go With It (Sony)

$271k

$102.3m

+2.0

25

21

17

The King's Speech PG-13 (Weinstein Co.)

$254k

$2.5m

-49.4

26

19

10

No Eres Tu, Soy Yo (Lionsgate)

$246k

$988k

-58.3

27

24

52

Hall Pass (Warner Bros./New Line)

$235k

$44.6m

-12.1

28

22

59

Unknown (Warner Bros.)

$171k

$63.4m

-38.1

29

32

24

Potiche (Music Box)

$157k

$637k

+13.1

30

30

52

Of Gods And Men (Sony Classics)

$152k

$3.0m

-16.0

31

20

38

Red Riding Hood (Warner Bros.)

$127k

$36.9m

-75.2

32

29

117

True Grit (Paramount)

$105k

$171.0m

-49.9

33

38

395

Hubble 3D (Warner Bros.)

$99k

$23.8m

+4.0

34

31

59

Big Mommas... (20th Century Fox)

$86k

$37.6m

-43.6

35

26

10

Thank You (UTV)

$86k

$392k

-64.8

36

27

145

Tangled (Buena Vista)

$86k

$199.6m

-61.2

37

39

31

Bill Cunningham New York (Zeitgeist)

$78k

$549k

-10.3

38

34

38

Certified Copy (IFC)

$77k

$984k

-30.2

39

82

185

The Salvation Poem (Poema de Salvacion) (CanZion)

$73k

$801k

+1,067.9

40

46

17

In A Better World (Sony Classics)

$72k

$183k

+60.8

BUBBLING UNDER INCREASES AND OPENINGS:

47. “Super” (IFC), $38k, $146k total, +32.6%

48. “Under The Sea 3D” (Warner Bros.), $36k, $26.7m total, +25.0%

51. “The Double Hour” (Samuel Goldwyn), $30k, NEW

54. “The Princess Of Montpensier” (IFC), $23k, NEW

58. "Henry's Crime" (Moving Pictures), $18k, $29k total, +111.9