Showing posts with label Scream 4. Show all posts
Showing posts with label Scream 4. Show all posts

Box Office Actuals: April 22-24, 2011

Via Box Office Mojo, The Numbers, and other sources:

Animated family musical adventure "Rio" held its estimated #1 ranking when actual numbers were calculated from the Easter weekend box office. Grossing $26.3 million, "Rio" held off Tyler Perry's latest ensemble film, "Tyler Perry's Madea's Big Happy Family", which amassed $25.1 million to land in second place. "Rio" continued its incredible worldwide run where the film has banked $206 million overseas. Nearing $300 million in total gross after just 3 weeks is an impressive feat.

"...Madea..." was the 6th film to feature Tyler Perry as his cross-dressing grandmother character and continued the trend of Perry films not being screened for critics in advance of their release. At this point, the brand has been built and Perry's franchise now guarantees openings on par with this one. Perry's latest opened on more screens than any of his other films to date, appearing at 2,288 sites. All in all, this was the fourth best opening for a Perry-directed film and if history holds, "...Madea..." will have a decent second weekend and then likely drop substantially in its third weekend.

The romantic drama "Water For Elephants" was overestimated and came in at $16.8 million, which tempered excitement slightly. If "Water" can hold a good second weekend audience, the film could finish in the $50 million range for its total box office run; a vast improvement over Pattinson's "Remember Me" which earned a mere $19.1 million in the spring of 2010. For Reese Witherspoon, the film served as her biggest opening since the 2008 holiday comedy "Four Christmases" ($31.2 million to start) and matched her 2005 romantic dramedy, "Just Like Heaven", which started at $16.4 million.

DisneyNature's third straight Easter weekend release, "African Cats" landed in 6th place with a $6.0 million start, which with actual receipts counted was nearly identical to last year's opening frame for "Oceans". It is hard to tell if Disney is happy that this opening matched "Oceans", which seemed a disappointment last year when compared to "Earth"'s success in 2009. "African Cats" should fall just short of $20 million when it completes its overall run.

"Scream" is silenced, "Atlas..." does indeed shrug, "I Am" takes a stand and more analysis after the cut:


"Scream 4" suffered the second biggest dropoff of the weekend, hemorrhaging 62% of its audience in its second weekend. Horror films typically drop big in their second weekend, but this was a staggering fall and makes it even more of a box office dud than originally anticipated.

"Atlas Shrugged Part I" lost nearly half of its audience after expanding into 166 more locations. The film raised some eyebrows with its $1.7 million opening last weekend and those who dared estimate its second weekend, where all over the map with projections. Ultimately, the interest was not there and the film plummeted to $881k. The film's expansion was the largest of the weekend, making its diminished returns a major disappointment for Rocky Mountain Films and those eagerly awaiting Parts II and III.

On the flipside, Tom Shadyac's "I Am" built on a much-talked about appearance on The Oprah Winfrey Show and tiny distributor Paladin Pictures pushed the film into 11 new sites, showing it at 24 locations. The reaction was staggering as the film grossed $131k and gained 522.6% in total audience. The introspective documentary is resonating with audiences and has already become 5:1, Paladin's highest grossing film in their 4-year existence. Already in theaters for 10 weeks, this film looks to continue its rollout and might be around for quite a while.

"I Am"'s success rained on the parade of Morgan Spurlock's anticipated third documentary, "POM Wonderful Presents: The Greatest Movie Ever Sold". Spurlock's film opened at a fair $118k on 18 screens, besting the $102k opening his "Where In The World Is Osama Bin Laden?" had on 102 screens in 2008.

Oscar-nominated "Incendies" (Best Foreign Language Film) had the best per screen average of the weekend, grossing just under $51k at 3 locations. The film opened to rave reviews once critics were able to finally weigh in on the film.

"Meek's Cutoff" expanded to 6 locations and improved over 150% from the previous weekend. Oscilloscope has been arguably too cautious in letting people see the much talked about film and the film has earned $88k in 17 days of release.

THE WEEKEND BREAKDOWN

#1 Film - "Rio", earned $26.3 million

Last Year's #1 Film at this time: "How To Train Your Dragon", earned $15.4 million

Biggest Per Screen Average: "Incendies", $16,893 at 3 locations ($51k cumulative)

Worst Per Screen Average (50+ Sites): "The Last Lions", $130 at 59 locations ($7,683,
$625k cumulative)


Largest Increase (50+ Sites): "Justin Bieber: Never Say Never", +279.1%

Steepest Decline (50+ Sites): "Tangled", -63.3%

Films Earning More Than $1m for the weekend: 16

Films Which Surpassed $100m: "Hop"

Films Which Surpassed Reported Budget This Weekend: "Hanna"

The Top 40, with other notables!


TW

LW

DAY

FILM (STUDIO)

WKD

TOTAL

% CHG

1

1

10

Rio (20th Century Fox)

$26.3m

$80.8m

-32.9

2

N

3

Tyler Perry's Madea's Big Happy Family (Lionsgate)

$25.1m

$25.1m

New

3

N

3

Water For Elephants (20th Century Fox)

$16.8m

$16.8m

New

4

3

24

Hop (Universal)

$12.2m

$100.2m

+13.7

5

2

10

Scream 4 (Weinstein/Dimension)

$7.0m

$31.0m

-62.4

6

N

3

African Cats (Buena Vista)

$6.0m

$6.0m

New

7

5

17

Soul Surfer (TriStar/FilmDistrict)

$5.4m

$28.5m

-25.2

8

4

17

Hanna (Focus)

$5.3m

$31.7m

-27.3

9

7

24

Insidious (FilmDistrict)

$5.2m

$44.0m

-22.8

10

8

24

Source Code (Summit)

$5.1m

$44.7m

-18.0

11

6

17

Arthur (Warner Bros.)

$4.1m

$29.2m

-39.8

12

10

38

Limitless (Relativity)

$2.7m

$74.0m

-27.2

13

11

10

The Conspirator (Roadside Attractions)

$2.2m

$6.9m

-37.5

14

12

38

The Lincoln Lawyer (Lionsgate)

$1.8m

$53.4m

-38.0

15

9

17

Your Highness (Universal)

$1.7m

$19.8m

-57.5

16

15

38

Win Win (Fox Searchlight)

$1.1m

$6.6m

-13.2

17

13

31

Diary Of A Wimpy Kid...Rodrick Rules (20th Century Fox)

$933k

$50.3m

-55.2

18

14

10

Atlas Shrugged Part I (Rocky Mountain)

$881k

$3.1m

-47.8

19

16

45

Jane Eyre (Focus)

$737k

$7.9m

-25.8

20

18

17

Born To Be Wild IMAX (Warner Bros.)

$653k

$3.1m

+4.5

21

17

52

Rango (Paramount)

$386k

$119.5m

-46.0

22

22

73

Gnomeo And Juliet (Buena Vista)

$335k

$98.3m

-17.8

23

19

31

Sucker Punch (Warner Bros.)

$279k

$35.9m

-54.0

24

23

52

The Adjustment Bureau (Universal)

$247k

$61.1m

-30.7

25

21

38

Paul (Universal)

$243k

$36.6m

-50.0

26

20

45

Battle: Los Angeles (Sony)

$204k

$82.6m

-59.8

27

24

73

Just Go With It (Sony)

$198k

$102.6m

-26.7

28

25

24

The King's Speech PG-13 (Weinstein Co.)

$197k

$2.9m

-22.5

29

31

45

Red Riding Hood (Warner Bros.)

$187k

$37.2m

+47.9

30

42

66

I Am Number Four (Buena Vista)

$185k

$54.4m

+179.6

31

32

402

Hubble 3D (Warner Bros.)

$159k

$24.2m

+46.1

32

30

59

Of Gods And Men (Sony Classics)

$147k

$3.2m

-3.7

33

27

59

Hall Pass (Warner Bros./New Line)

$133k

$44.9m

-43.2

34

56

66

I Am (Paladin)

$131k

$557k

+522.6

35

N

3

POM Wonderful Presents: The Greatest Movie Ever Sold (Sony Classics)

$118k

$118k

New

36

26

17

No Eres Tu, Soy Yo (Lionsgate)

$116k

$1.2m

-52.7

37

28

66

Unknown (Warner Bros.)

$91k

$63.6m

-46.8

38

41

52

Beastly (CBS Films)

$90k

$27.6m

+28.5

39

37

38

Bill Cunningham New York (Zeitgeist)

$90k

$689k

+14.7

40

34

66

Big Mommas... (20th Century Fox)

$75k

$37.7m

-12.6

BUBBLING UNDER INCREASES AND OPENINGS:

41. “In A Better World” (Sony Classics), $73k, $292k total, +1.0%

42. “Justin Bieber: Never Say Never” (Paramount), $67k, $72.8m total, +279.1%

44. “Incendies” (Sony Classics), $51k, NEW

46. “Super” (IFC), $48k, $211k total, +24.6%

48. "The Princess Of Montpensier" (IFC), $36k, $73k total, +53.8%

Box Office Actuals: April 15-17, 2011

Via Box Office Mojo, The Numbers, and other sources:

Despite a slight overestimation, "Rio" still delivered the biggest opening weekend of 2011 with $39.2 million in box office receipts. "Rio" was just the latest in a steady stream of popular animated features for the year, following in the footsteps of "Hop", "Rango", and "Gnomeo and Juliet". "Rio" has already amassed $170 million in worldwide box office, as the film was released overseas a week ahead of its North American release.

"Rio"'s success was supposed to be in concert with comparable numbers for the much anticipated "Scream 4", a rekindling of the 90's franchise that earned $300 million domestically from its initial trio of films. 11 years went by, the stars of the franchise traveled up and down the A-list, but back together once more, excitement was there. Some terrific reviews, with most of them average-to-good, did not translate to audience. An opening Friday led to a diminished interest as the weekend went on and the film opened to a disappointing $18.7 million. The hopes of a comparable final gross are seemingly dashed as this muted "Scream" should earn approximately $50-$55 million by the end of its run.

Although initially reported as a Top 10 debut for Robert Redford and Roadside Attractions, "The Conspirator" opened at #11 with actual receipts counted. Top 10 debut or not, the film still delivered a comparable number to its estimate with $3.5 million earned at 707 locations. "The Conspirator" has become the largest opening gross for a Roadside Attractions film and could move past the Oscar-nominated "Winter's Bone" ($6.5 million) and "Bella" ($8.1 million) as the upstart's biggest success to date.

The Tea Party-endorsed "Atlas Shrugged Part I" amassed an intriguing $1.7 million at a mere 299 locations. The film, an adaptation from the writings of Ayn Rand, drew miserable reviews from critics but supporters of the film used those dismissals as a galvanizing effort in getting out to see the film. Rocky Mountain Films released the film strategically around the country and received a large amount of promotion for Right-wing and Republican-themed talk shows. This attention allowed Rocky Mountain to save on buying TV ad spots and other expensive marketing vehicles. Time will tell if this is going to sustain a second weekend and Rocky Mountain had not yet announced whether they would be expanding the film this coming weekend.

"Win Win" continues to grow and more analysis after the cut:


Three films held impressive declines within the Top 10. "Soul Surfer" slid a mere 31% in its second weekend as the film moved past its $18 million budget and held a slot in the Top 5. "Insidious" and "Source Code" both retained nearly 75% of its previous weekend's audience and continue to draw steady audiences weeks after their openings. In a third weekend for most horror and science fiction releases, audiences begin to look elsewhere, so both films are showing some impressive stamina.

"Win Win" opened in another 158 locations and saw an 11% bump, earning $1.3 million to bring it's overall take to just over $5.0 million.

The Oscar-winning Best Foreign Language Film, "In A Better World", may seem like a movie lost in the shuffle for those who wanted to see it after it took home the Oscar. It is out there at 30 locations and the film still has a modest per-screen average, gaining 61% with its modest expansion. The film has now earned $183k.

Documentary "Armadillo", a controversial and unflinching look at Danish soldiers fighting in Afghanistan, had a mediocre $4k haul from one site. The film has been compared to a more graphic and shocking documentary in the style of the critically acclaimed "Restrepo".

"The Double Hour", a romantic thriller with a twist, bested last week's opening of Oscar-buzzed "Meek's Cutoff", earning $30k at two locations. "Meek's Cutoff" played in the same sites as its opening weekend and saw receipts fall nearly 30%.

THE WEEKEND BREAKDOWN

#1 Film - "Rio", earned $39.2 million

Last Year's #1 Film at this time: "Kick-Ass", earned $19.8 million

Biggest Per Screen Average: "The Double Hour", $15,123 at 2 locations ($3ok cumulative)

Worst Per Screen Average (50+ Sites): "The Last Lions", $200 at 61 locations ($12,228,
$607k cumulative)


Largest Increase (50+ Sites): "Gnomeo And Juliet", +92.7%

Steepest Decline (50+ Sites): "Red Riding Hood", -75.2%

Films Earning More Than $1m for the weekend: 15

Films Which Surpassed $100m: N/A

Films Which Surpassed Reported Budget This Weekend: Soul Surfer, Source Code

The Top 40, with other notables!


TW

LW

DAY

FILM (STUDIO)

WKD

TOTAL

% CHG

1

N

3

Rio (20th Century Fox)

$39.2m

$39.2m

New

2

N

3

Scream 4 (Weinstein/Dimension)

$18.7m

$18.7m

New

3

1

17

Hop (Universal)

$10.7m

$82.2m

-49.7

4

2

10

Hanna (Focus)

$7.3m

$23.3m

-41.1

5

4

10

Soul Surfer (TriStar/FilmDistrict)

$7.3m

$19.9m

-31.4

6

3

10

Arthur (Warner Bros.)

$6.8m

$22.2m

-44.7

7

5

17

Insidious (FilmDistrict)

$6.7m

$35.9m

-28.0

8

7

17

Source Code (Summit)

$6.2m

$36.9m

-28.2

9

6

10

Your Highness (Universal)

$4.0m

$16.1m

-57.1

10

8

31

Limitless (Relativity)

$3.6m

$69.6m

-33.0

11

N

3

The Conspirator (Roadside Attractions)

$3.5m

$3.5m

New

12

10

31

The Lincoln Lawyer (Lionsgate)

$2.9m

$50.5m

-32.6

13

9

24

Diary Of A Wimpy Kid: Rodrick Rules (20th Century Fox)

$2.1m

$48.1m

-56.4

14

N

3

Atlas Shrugged: Part I (Rocky Mountain)

$1.7m

$1.7m

New

15

16

31

Win Win (Fox Searchlight)

$1.3m

$5.0m

+11.0

16

15

38

Jane Eyre (Focus)

$993k

$6.6m

-14.2

17

11

45

Rango (Paramount)

$716k

$118.8m

-68.9

18

18

10

Born To Be Wild IMAX (Warner Bros.)

$625k

$1.8m

-28.3

19

12

24

Sucker Punch (Warner Bros.)

$606k

$35.3k

-71.2

20

14

38

Battle: Los Angeles (Sony)

$507k

$82.2m

-66.8

21

13

31

Paul (Universal)

$485k

$36.1m

-72.2

22

28

66

Gnomeo And Juliet (Buena Vista)

$408k

$97.8m

+92.7

23

17

45

The Adjustment Bureau (Universal)

$357k

$60.7m

-59.3

24

25

66

Just Go With It (Sony)

$271k

$102.3m

+2.0

25

21

17

The King's Speech PG-13 (Weinstein Co.)

$254k

$2.5m

-49.4

26

19

10

No Eres Tu, Soy Yo (Lionsgate)

$246k

$988k

-58.3

27

24

52

Hall Pass (Warner Bros./New Line)

$235k

$44.6m

-12.1

28

22

59

Unknown (Warner Bros.)

$171k

$63.4m

-38.1

29

32

24

Potiche (Music Box)

$157k

$637k

+13.1

30

30

52

Of Gods And Men (Sony Classics)

$152k

$3.0m

-16.0

31

20

38

Red Riding Hood (Warner Bros.)

$127k

$36.9m

-75.2

32

29

117

True Grit (Paramount)

$105k

$171.0m

-49.9

33

38

395

Hubble 3D (Warner Bros.)

$99k

$23.8m

+4.0

34

31

59

Big Mommas... (20th Century Fox)

$86k

$37.6m

-43.6

35

26

10

Thank You (UTV)

$86k

$392k

-64.8

36

27

145

Tangled (Buena Vista)

$86k

$199.6m

-61.2

37

39

31

Bill Cunningham New York (Zeitgeist)

$78k

$549k

-10.3

38

34

38

Certified Copy (IFC)

$77k

$984k

-30.2

39

82

185

The Salvation Poem (Poema de Salvacion) (CanZion)

$73k

$801k

+1,067.9

40

46

17

In A Better World (Sony Classics)

$72k

$183k

+60.8

BUBBLING UNDER INCREASES AND OPENINGS:

47. “Super” (IFC), $38k, $146k total, +32.6%

48. “Under The Sea 3D” (Warner Bros.), $36k, $26.7m total, +25.0%

51. “The Double Hour” (Samuel Goldwyn), $30k, NEW

54. “The Princess Of Montpensier” (IFC), $23k, NEW

58. "Henry's Crime" (Moving Pictures), $18k, $29k total, +111.9