I'll admit, I'm quite the nerd. Some people would call it OCD, but I would say SOCD, which is Selective Obsessive Compulsive Disorder... I don't obsess about much, but I'm very picky about what I obsess about... its almost like, I know whats important to me, how important it is to have things done the way I want the done... but only about certain things that sometimes no one else cares about.
Case in point... iTunes.
iTunes has this thing called a "play count", which is both a blessed and cursed thing. In my mind, once I play a song, I want it counted. Once I listen to a song, I want it noted... it truly doesn't mean a hill of beans to anyone in the entire world that I've listened to "Everything You Want" by Vertical Horizon 34 times, or that I've fired up the original "Hallelujah" by Jeff Buckley 8 times.
But its important to me. I dunno why, and I really am not sure I care to psycho-analyze, but that's just one of those quirky, nerdy things about me. We'll come back to this, but first I have to give a bit more exposition, then tie it all together at the end like a good little storyteller.
Yesterday, I finally purchased a portable hard drive. We've owned a regular external hard drive for about three years, and backs up most of what is on my, and The Lovely Steph Leann's, computers. For me its music, audiobooks and pictures, for her its mostly pictures and Creative Memories back-up files... but the problem is, its so clunky and bulky. In the Casa de Pesos apartment, it wasn't a big deal, because our place was so small, we just kept our PC and the back up drive and such altogether, and even when we got laptops, they mostly just stayed in the guest bedroom. I could write and blog and do whatever, and with a television in the room, I could still watch whatever, or play a movie or anything of the like.
When we got The Cabana, though, it was harder, because we kept the back-up drive upstairs, and the laptops stayed downstairs mostly, so I didn't back up much stuff, just every now and then. With my growing love (and ear) for audiobooks, I finally had to move them off of my laptop because I had gotten to the point where I had less than 10gb of space (off of 300gb). It took almost 2 hours, but I moved almost 80gb of audiobooks onto the harddrive, plus a few movies and some other space-taking items.
Now, for anyone who owns an iPod, you'll notice that if you try and sync your iPod, and you've moved some files, a little "!" will appear by those files. And when those files are on an entirely different drive altogether, its even worse, because you get a hundred or two of those "!" when they are audiobooks. So, I now have a set up on our dining room table, this external hard drive to my left, cords and USB cables running everywhere and anywhere, and like, four things plugged into the nearby outlet. Thus, the need for a portable hard drive.
So I'm currently moving, from the external to the portable, over 100 audiobooks, encompassing 32,000+ files (the Harry Potter series alone contains at least 1,500 tracks), which makes up about 140gb of space. I have another 60gb of pictures to move over. And at some point, in the future, I'll move over all my music from my laptop to the portable hard drive.
And now, we get back to play counts. See, when I move over the music, I have to reload all songs back into iTunes. And when I do, all play counts go back to zero. Everyone. So me listening to Nilsson's "I Guess the Lord Must Be In New York City" 29 times? Its like it didn't happen.
However, don't think I haven't considering recreating all the playcounts. Easy, really... click on a song, click "repeat" twice (which makes the song repeat) and then click on the end over and over. It will advance from beginning to end, then start over. Yes, this is a really stupid, useless thing to do. Yes, there are far better uses of my time. Yes, I've thought about it. We'll see.
Play counts are a funny thing... it kinda tells you and the world what you truly like. My official Top Five list of songs are: (1) "Possession" by Sarah McLachlan... (2) "I'd Die Without You" by PM Dawn... (3) "Piano in the Dark" by Brenda Russell (ft. Joe Esposito)... (4) "Not the Only One" by Bonnie Raitt... (5) "Head Over Heels" by Tears for Fears. Coming in a close 6th is "Say Say Say" by Paul McCartney and Michael Jackson.
Other songs that have wandered their way in and out of my Top Ten including "Let Her Cry" by Hootie and the Blowfish... "A Thousand Miles" by Vanessa Carlton... "Maybe I'm Amazed" by Paul McCartney and Wings... "Hazy Shade of Winter" by The Bangles and "Tiny Dancer" by Elton John....
But you know what? Out of those 11 songs I just listed, none are in my Top Ten of the Play Count List, and only one is in the Top Twenty, at 19th. So, I thought it might be fun to list my Top Fifty Songs on the Play Count List, the songs that have been played the most. Bear in mind, too, that I listen to a ton of podcasting and audiobooks, so music isn't my top priority most of the time, but sometimes, you just wanna hear Timberlake, or Flo Rida or Billy Joel or Bill Withers...
So, here we go... Song, artist, and (play count)
There is a huge six way tie at 50, featuring...
50-tie. Running From an Angel by Hootie & the Blowfish (34)
50-tie. Clarity by John Mayer (34)
50-tie. 3AM by Matchbox 20 (34)
50-tie. Everything You Want by Vertical Horizon (34)
50-tie. Welcome to Delaware by Watermark (34)
50-tie. White & Nerdy by Weird Al Yankovic (Video) (34)
All the way down to #40 is another tie or two, featuring the only song that appears twice in our countdown, in both audio and video versions. Also, The Dixie Chicks make their first of three appearances.
48-tie. Cowboy Take Me Away by The Dixie Chicks (35)
48-tie. Sunday Afternoon by Joel Blount (35)
40-tie. ...And Our Feelings by Babyface (Video) (36)
40-tie. Only the Good Die Young by Billy Joel (36)
40-tie. Close of Autumn by Caedmon's Call (36)
40-tie. The Trolley Song by Judy Garland (36)
40-tie. Taylor, the Latte Boy by Kristin Chenoweth (36)
40-tie. B.O.B. by OutKast (36)
40-tie. Light My Candle by Mimi and Roger from The Cast of Rent (36)
40-tie. You Mean the World To Me by Toni Braxton (36)
The next set of ten, down to a four way tie at #31...
39. I'll Be Okay by Amanda Marshall (37)
36-tie. Ain't No Sunshine by Bill Withers (38)
36-tie. In the Light by dcTalk (38)
36-tie. Possession by Sarah McLachlan (38)
35. Snow (Hey Oh) by The Red Hot Chili Peppers (39)
31-tie. Full Moon by Brandy (40)
31-tie. Callin' Baton Rouge by Garth Brooks (40)
31-tie. The Way I Am by Ingrid Michaelson (40)
31-tie. The Remedy (I won't worry) by Jason Mraz (40)
The next ten are all older songs, anywhere from five to fifteen to thirty...
26-tie. Let's Stay Together by Al Green (41)
26-tie. Still Not a Player by Big Punisher with Fat Joe (41)
26-tie. The Story by Brandi Carlile (41)
26-tie. My My My by Johnny Gill (41)
26-tie. Chains by Tina Arena (41)
24-tie. You Belong With Me by Taylor Swift (41)
24-tie. Say It Right by Nelly Furtado (Video) (41)
23. Season of Love by The Cast of Rent (43)
21-tie. Somewhere Over the Rainbow/What a Wonderful World by Israel Kamakawio'ole (45)
21-tie. The Light In Your Eyes by Blessid Union of Souls (45)
And our teens part of the countdown gives us another helping of The Chicks, an obscure but incredible song by Jill Paquette and of course, Cool J.
19-tie. My Favorite Mistake by Sheryl Crow (46)
19-tie. I'd Die Without You by PM Dawn (46)
17-tie. Tortured Tangled Hearts by The Dixie Chicks (47)
17-tie. Drops of Jupiter by Train (47)
15-tie. Sin Wagon by The Dixie Chicks (48)
15-tie. Lift My Eyes by Jill Paquette (48)
13-tie. Crazy by Gnarls Barkley (49)
13-tie. I May Hate Myself in the Morning by Lee Ann Womack (49)
11-tie. Loungin' (who do you love) by LL Cool J (50)
11-tie. If I Ever Lose My Faith in You by Sting (50)
Before we get to the Top Ten, I wanted to give you a list of ten songs that, were I to do this same column in a year two, you'd probably see some of them appear in this very list, maybe because they are new and I listen to them frequently now or because they were just outside the top fifty and have gotten some recent love from my playlist... they include "Hey Soul Sister" by Train... "Travelin Soldier" by The Dixie Chicks... "Someone Saved My Life Tonight" by Elton John... "Relator" by Pete Yorn & Scarlett Johansson... "You Give Good Love" by Whitney Houston... "Better in Time" by Leona Lewis... "Right Round" by Flo Rida... "I Need You Now" by Lady Antebellum... "Everything Zen" by Bush... and, of course... "Party in the USA" by Miley Cyrus
Now, here's the Top Ten... a little eclectic, but a little predictable all the same...
10. Collide by Howie Day (53)... I cannot even name another Howie Day song. But I love this one. I told The Lovely Steph Leann if I played guitar and could sing, this would be part of my set.
9. ...And Our Feelings by Babyface (54)... This is a perfect song to sing while driving. My vocals get nowhere near the level of Babyface, but that doesn't mean I don't try.
7-tie. How to Save a Life by The Fray (55)... This and their other big song, perhaps one of the biggest, most awesome one-two song punches ever.
7-tie. You and I Both by Jason Mraz (55)... Its a great video, its a great song, and its also fun to sing. And the lyrics are easier to learn than "The Remedy".
6. My Boo by Usher (ft Alicia Keys) (56)... I was a little surprised when I did this list how far up this list that "My Boo" ended up. But I'm perfectly okay with it.
5. Wildwood Flower by Reese Witherspoon (57)... I bought the "Walk the Line" soundtrack, and I'll be honest, I listened to this song non-stop. When I first got my iPod, I remember this song being the first one to 20 plays ever.
4. Fergalicious by Fergie (Video) (58)... Fine. I'll admit it. I like this song, and this video is fun. I would venture to guess that 40 of the plays were done within a year of it being released.
3. Love Song by Sara Bareilles (59)... If I could use the Billboard Charts term "with a bullet" on my own little list, than I would use it here with this song. I wouldn't be shocked to see this become number one in the near future, because I am completely addicted to this song.
2. Rock Your Body by Justin Timberlake (61)... What can I say? Timberlake is cool. The song is cool.
1. Over My Head (Cable Car) by The Fray (63)... Again, I'm not entirely sure how this song got so high, number one in fact, but I make no apologies. It is a song that I could listen to non-stop (and have) and not get tired of (I haven't).
So what about you? Does your list of favorite songs and your actual play counts tell two different stories?
Showing posts with label dcTalk. Show all posts
Showing posts with label dcTalk. Show all posts
The Death of CCM Magazine
Did you know that CCM Magazine was gone?
Neither did I.
I used to get CCM way back in the day, and looked forward to reading it cover to cover... when I say "back in the day", I am referring to about a six year span between 1995 and 2001 where my subscription ran uninterrupted, and no magazine went unread.
It was the go to source for news of dcTalk's new album, or this new girl named Jennifer Knapp or Nichole Nordeman had new music out, or this amazing article on Gary Chapman--and his side of the Amy Grant/Gary Chapman divorce--that came out sometime in the late 90s. CCM was a gold mine of not just Christian music information, but Christian life as well. There were festivals to read about, new artists, old artists, and somewhere, I still have the tribute issue from when Rich Mullins died in a car wreck.
When I ran Sunday Night Power, a Christian music show, in 1997 and 1998 for WTBT at Troy, I would use CCM as question material when interviewing Jars of Clay or Cindy Morgan or Audio Adrenaline... remember, the internet was not only newly formed at this time, but the dearth of informaion wasn't nearly as dearthy as it is now.
I guess sometime after 2001, maybe 2002, I let my subscription lapse. I think I let a few issues go by before renewing it, but then let it lapse again and never got around to picking it back up. Sometime over the years, CCM Magazine changed. Following Rolling Stone's lead, it dropped the in-depthness of its articles and columns, and began a more "glossy" style, with less opinion and journalism, replaced with puff pieces on the wonders of Chris Tomlin, or the legendary status of Michael W. Smith. Unlike Rolling Stone, however, there weren't legions of fans that, if some left because of the unfortunate changes, there'd be enough to pick up the slack.
It was also about that time that I couldn't tell the difference in Matt Redman and David Crowder and The Barlow Girls sounded like Aurora who sounded like Joy Williams who just lost my interest... hence, d$ and CCM Magazine parted ways, after almost 10 years together.
And then, a few weeks ago, I was doing a Wiki search on someone... I don't remember who... maybe Jars, maybe Kevinmax, but I read something along the lines of "...before CCM Magazine folded in 2008..." What? What is this? So I googled up CCM Magazine, and found out that yes, in April 2008, what I knew as Contemporary Christian Magazine had indeed ceased their monthly publication on their 30th anniversary. Gone.
CCM Magazine's final issue
In my searching, I found an interesting article from the, ironically enough, online magazine Patrol, written by David Sessions...
Sessions writes...
"It is quite a curiosity how frequently some cultural phenomena are pronounced dead. Rock music, in particular, dies at least once a decade. And now it seems the question is echoing in the Christian music industry almost as loudly, as those who remember the great days of dcTalk and the Newsboys wonder: Is Christian rock dead?
Further fueling the speculation is CCM magazine’s announcement that it will discontinue its print edition in April, the press statement announced that CCM readers “want information faster than a print magazine can deliver,” and explains the folding of the print magazine as an intentional move to allow CCM to put its energy into online content. It is difficult to imagine that the Christian music industry would have been the same without the magazine. For most of my life, it set the trends and made the brand among Christian youth. But over the past few years, CCM has fought a losing battle for its audience as it continues covering a product its target demographic, young evangelicals, consumes at a gradually decreasing rate.
On its face, such a transformation from print to web is hardly remarkable; print magazines of all stripes are, after all, struggling to survive in the new media environment. But in addition to triggering the media evolution, technology has contributed to the disappearance of CCM’s prime readership. Thousands of artists now able to self-market their music to the world, including Christian musicians uncomfortable with the industry’s insistence on marketable formula. Believers seem to have realized there’s quite a bit of great music out there, and Christians aren’t the only ones making it. With such a selection available, including many popular choices that lack traditionally offensive content, there remains no justification for Christians to subject themselves to the generally substandard fare offered in Christian bookstores.
CCM belatedly caught on to these trends, announcing last May that the magazine would change its name from “Contemporary Christian Music” to “Christ. Community. Music.” and would broaden its focus to include “Christian worldview music,” music made by Christians but necessarily intended for an exclusively evangelical audience. The magazine had previously covered only music with explicit religious content, a perennial annoyance to Christian artists who believed music should incorporate all aspects of life and creation without forced utterances of Jesus’ name or cliched religious imagery.
The magazine’s new incarnation was a step in the right direction, but was too little too late,even “Christian worldview music” is a scope too narrow to make their content roundly relevant to the young evangelical music consumer.
The broader coverage allowed CCM to benefit from the success of artists like Sufjan Stevens, but it also instantly associated him with the “faith brand,” a characterization that Christian musicians like Stevens and The Fray persistently resist. Individually, they contend, they are followers of Christ. Professionally, they are serious musicians who strive to be appreciated because they make great music for all kinds of people. At CCM, even in its newer, more “relevant” incarnation, artists were still generally more appreciated for being popular, successful Christians than they were for being excellent musicians. Thus even the new CCM didn’t necessarily appeal to the best Christian artists, many of whom are trying to avoid exactly the sort of distinction that labels like “Christian worldview music” make, most of all, association with the disposable, imitative art of the evangelical subculture.
There is no doubt that these changes in theology and technology had a negative impact on Christian music publications. If you visit the places where people should be reading CCM, Christian colleges campuses and church youth groups, you’re more likely to find copies of Paste or overhear references to Pitchfork Media, the same places their secular counterparts go for music information. And with the obvious fact that the middle-aged listeners of the few still-popular Christian bands like Casting Crowns aren’t the biggest readers of hip music rags, CCM faced a double-whammy: Christian artists don’t want any part of a separate “Christian music” industry, and young Christian fans aren’t primarily interested in the music that used to be called Christian rock. With both content and readers disappearing simultaneously, it was only a matter of time until the magazine would be forced to either transform completely or fold.
CCM’s Christian music coverage will still be around, but it remains to be seen if the magazine can compete in the competitive, crowded world of internet music journalism. And while some of us can’t help feeling at least a small wave of nostalgia for the publication that accompanied us through adolescence, we should be encouraged by the fact that a positive change, a growing commitment by Christians to break out of their artistic bubble, has brought its relevance to a conclusion."
(d$ again) I only posted this article because really, he says it better than I could. Here is CCM Online
Did you know that Michael Tait is now the lead singer for Newsboys? CCM Magazine would have told me this. .
Neither did I.
I used to get CCM way back in the day, and looked forward to reading it cover to cover... when I say "back in the day", I am referring to about a six year span between 1995 and 2001 where my subscription ran uninterrupted, and no magazine went unread.
It was the go to source for news of dcTalk's new album, or this new girl named Jennifer Knapp or Nichole Nordeman had new music out, or this amazing article on Gary Chapman--and his side of the Amy Grant/Gary Chapman divorce--that came out sometime in the late 90s. CCM was a gold mine of not just Christian music information, but Christian life as well. There were festivals to read about, new artists, old artists, and somewhere, I still have the tribute issue from when Rich Mullins died in a car wreck.
When I ran Sunday Night Power, a Christian music show, in 1997 and 1998 for WTBT at Troy, I would use CCM as question material when interviewing Jars of Clay or Cindy Morgan or Audio Adrenaline... remember, the internet was not only newly formed at this time, but the dearth of informaion wasn't nearly as dearthy as it is now.
I guess sometime after 2001, maybe 2002, I let my subscription lapse. I think I let a few issues go by before renewing it, but then let it lapse again and never got around to picking it back up. Sometime over the years, CCM Magazine changed. Following Rolling Stone's lead, it dropped the in-depthness of its articles and columns, and began a more "glossy" style, with less opinion and journalism, replaced with puff pieces on the wonders of Chris Tomlin, or the legendary status of Michael W. Smith. Unlike Rolling Stone, however, there weren't legions of fans that, if some left because of the unfortunate changes, there'd be enough to pick up the slack.
It was also about that time that I couldn't tell the difference in Matt Redman and David Crowder and The Barlow Girls sounded like Aurora who sounded like Joy Williams who just lost my interest... hence, d$ and CCM Magazine parted ways, after almost 10 years together.
And then, a few weeks ago, I was doing a Wiki search on someone... I don't remember who... maybe Jars, maybe Kevinmax, but I read something along the lines of "...before CCM Magazine folded in 2008..." What? What is this? So I googled up CCM Magazine, and found out that yes, in April 2008, what I knew as Contemporary Christian Magazine had indeed ceased their monthly publication on their 30th anniversary. Gone.
CCM Magazine's final issue
In my searching, I found an interesting article from the, ironically enough, online magazine Patrol, written by David Sessions...
Sessions writes...
"It is quite a curiosity how frequently some cultural phenomena are pronounced dead. Rock music, in particular, dies at least once a decade. And now it seems the question is echoing in the Christian music industry almost as loudly, as those who remember the great days of dcTalk and the Newsboys wonder: Is Christian rock dead?
Further fueling the speculation is CCM magazine’s announcement that it will discontinue its print edition in April, the press statement announced that CCM readers “want information faster than a print magazine can deliver,” and explains the folding of the print magazine as an intentional move to allow CCM to put its energy into online content. It is difficult to imagine that the Christian music industry would have been the same without the magazine. For most of my life, it set the trends and made the brand among Christian youth. But over the past few years, CCM has fought a losing battle for its audience as it continues covering a product its target demographic, young evangelicals, consumes at a gradually decreasing rate.
On its face, such a transformation from print to web is hardly remarkable; print magazines of all stripes are, after all, struggling to survive in the new media environment. But in addition to triggering the media evolution, technology has contributed to the disappearance of CCM’s prime readership. Thousands of artists now able to self-market their music to the world, including Christian musicians uncomfortable with the industry’s insistence on marketable formula. Believers seem to have realized there’s quite a bit of great music out there, and Christians aren’t the only ones making it. With such a selection available, including many popular choices that lack traditionally offensive content, there remains no justification for Christians to subject themselves to the generally substandard fare offered in Christian bookstores.
CCM belatedly caught on to these trends, announcing last May that the magazine would change its name from “Contemporary Christian Music” to “Christ. Community. Music.” and would broaden its focus to include “Christian worldview music,” music made by Christians but necessarily intended for an exclusively evangelical audience. The magazine had previously covered only music with explicit religious content, a perennial annoyance to Christian artists who believed music should incorporate all aspects of life and creation without forced utterances of Jesus’ name or cliched religious imagery.
The magazine’s new incarnation was a step in the right direction, but was too little too late,even “Christian worldview music” is a scope too narrow to make their content roundly relevant to the young evangelical music consumer.
The broader coverage allowed CCM to benefit from the success of artists like Sufjan Stevens, but it also instantly associated him with the “faith brand,” a characterization that Christian musicians like Stevens and The Fray persistently resist. Individually, they contend, they are followers of Christ. Professionally, they are serious musicians who strive to be appreciated because they make great music for all kinds of people. At CCM, even in its newer, more “relevant” incarnation, artists were still generally more appreciated for being popular, successful Christians than they were for being excellent musicians. Thus even the new CCM didn’t necessarily appeal to the best Christian artists, many of whom are trying to avoid exactly the sort of distinction that labels like “Christian worldview music” make, most of all, association with the disposable, imitative art of the evangelical subculture.
There is no doubt that these changes in theology and technology had a negative impact on Christian music publications. If you visit the places where people should be reading CCM, Christian colleges campuses and church youth groups, you’re more likely to find copies of Paste or overhear references to Pitchfork Media, the same places their secular counterparts go for music information. And with the obvious fact that the middle-aged listeners of the few still-popular Christian bands like Casting Crowns aren’t the biggest readers of hip music rags, CCM faced a double-whammy: Christian artists don’t want any part of a separate “Christian music” industry, and young Christian fans aren’t primarily interested in the music that used to be called Christian rock. With both content and readers disappearing simultaneously, it was only a matter of time until the magazine would be forced to either transform completely or fold.
CCM’s Christian music coverage will still be around, but it remains to be seen if the magazine can compete in the competitive, crowded world of internet music journalism. And while some of us can’t help feeling at least a small wave of nostalgia for the publication that accompanied us through adolescence, we should be encouraged by the fact that a positive change, a growing commitment by Christians to break out of their artistic bubble, has brought its relevance to a conclusion."
(d$ again) I only posted this article because really, he says it better than I could. Here is CCM Online
Did you know that Michael Tait is now the lead singer for Newsboys? CCM Magazine would have told me this. .
Troy State's Freshman Spring
Time for some new music on The Clouds, and this time around, I've decided to pull out the Troy State Freshman Spring playlist... these are all songs that were released, out and popular between December and June of 1994... my winter & spring quarters as a frosh at Troy State University...
"Cantaloop" by Us3... Ladies and gentlemen, as you know, we have something special down here at Bird Land this evening, a recording from Blue Note Records. I dare you not to get into this beat.
"Mary Jane's Last Dance" by Tom Petty... I don't think, even as an 18 year old, I recognized this song being about mary-ju-wanna at the time. This brings back memories of Erin Magonigal sitting with myself, Lisa Murphy, Allison Wiggins, Stephanie Massey, Wookiee, The Wench and Kate Gates, singing along during dinner at SAGA. The video, featuring a then-young-and-hot Kim Basinger? Awesome.
"Because the Night" by 10,000 Maniacs... There's a bridge at the end of the song that I, to this day, still have no clue what exactly she's saying. I actually made up an entire verse that had something to do with "I have no... idea... what to sing so I will go... and make... it up". I sang this to Lisa Murphy while driving to Subway around 1am one night. She loved it. Lisa Murphy rocked.
"...And Our Feelings" by Babyface... Ever had those songs that are like, forever old, and to this day, when they come on, you're still all about it? Babyface was awesome back in the day... this is one that I happily sing along to, loudly, while in the car... "AAAAnd our feeeelings! Just aren't feelings anymore... they're just words without emotions from people we don't know... No! No! No No No nonononono!!!!"
It also helps that the song title has at its beginning an ellipsis. You know my love of ellipses... much better than the use of ( ) in song titles (more on that below).
"You Mean the World to Me" by Toni Braxton... This song is part of the Toni Trifecta, also featuring "Another Sad Love Song" and "Breathe Again". Its rare for any artist to have three straight incredibly incredible songs, but she did it. I love me some Toni... she's who my car is name after.
"Mr. Jones" by Counting Crows... My main problem with Adam Duritz is how in the world he could be some homely looking and still get with all these hot celebrities? In his prime, he dated not only a in-her-prime Jennifer Aniston, but also a in-her-prime Courtney Cox, a still in-her-prime Monica Potter and even a relatively-cute-then Winona Ryder. This would be like dopey me dating The Official Clouds in My Coffee Official High School Crush Julie Wise and Sandy Wright, but then going on to date The Official Clouds in My Coffee Troy State Crush Tiffany Abbott, followed by Laura DeGarmo before finally ending up with The Lovely Steph Leann. Wait... come to think of it, I had a pretty good run myself. Scratch all that.
"Come to My Window" by Melissa Ethridge... For The Lovely Steph Leann's money, she'd take "I'm The Only One" over this song anytime. Not me. I love the slow kick off, followed by the great vocals and guitar. I mean, yeah, she's singing in the choir of the Lesbetarian Church, but still... just cause Elton John is Brokeback doesn't mean that "Your Song" is any less diminished. So be it with Melissa.
"All I Wanna Do" by Sheryl Crow... I feel sad that Sheryl Crow has slowly become a laughing stock liberal. She used to be so awesome! As a matter of fact, I'm actively working on a list of "d$'s Favorite Artists, Ever", and Sheryl has to be Top Five. "The Globe Sessions"? One of my favorite CDs, ever.
As lamented in a previous post, I miss this Sheryl Crow. Sassy, hot, talented, and not a left wing moron.
"Stay" by Lisa Loeb & Nine Stories... There are those songs that you know by heart, and can sing anytime, anywhere. Then there are those songs that you know by heart, but you can't start in the middle... you have to start at the beginning. If someone said to you, "Hey, what's that part in the song about living forever? How does it go, I would have to start at the beginning, singing really softly and quickly to myself, "yousayidonlyhearwhatiwantto... (mumble through the verse)... soiturntheradiooniturntheradioupandthiswomanwassingingmysong... (mumble some more)... someofushoverwhilewerewaitingfortheotherwhowasdying... (a big more mumbling)... and I thought I'd live forever, and now I'm not so sure!! That's it!"
"Shine" by Collective Soul... I think Collective Soul could have been bigger, had they not come on the heels of Pearl Jam and Nirvana. They were rock without being metal, and were still pretty cool. As it is, they were awesome for the next, I dunno, like 7 years or something... "Gel", "December", "The World I Know" and one of my favorite running/driving songs, "Heavy". This song started it all though. There was a rumor that dcTalk's "So Long My Friend", a song about someone who gave up their walk with Christ to be famous, was about Collective Soul.
"Loser" by Beck... Let's face it, I don't know what this song is about. No, you don't either. Don't try.
"Regulate" by Warren G feat. Nate Dogg. Had to listen to this song throughly to make sure the only questionable material in the song was just mentions of tricks and ho's. We're good.
Maybe this was the first, maybe it wasn't, but this song was at the beginning of the "Featuring" trend. Remember how Paul McCartney and Michael Jackson sang "Say Say Say"? It was "Say Say Say" by Paul McCartney AND Michael Jackson. The "And" represented the fact that both parties did equal amounts of work. But here? Its not Warren G and Nate Dogg... oh nay nay. Its Warren G "FEATURING" Nate Dogg... and its not even "featuring", its "feat.". Can you imagine "Islands in the Stream" by Dolly Parton feat. Kenny Rogers? Or "Endless Love" by Diana Ross feat. Lionel Richie? I'm more bitter about this than I am with the use of ( ) in songs.
I hate when a song uses parantheses in the title. Bryan Adams, are you listening? Either name your song "Everything I Do", or "I Do It For You", or even "Everything I Do I Do It For You", but don't throw ( ) in there. "Everything I Do (I do it for you)". Why? "Over My Head (cable car)" is stupid. Either call it "Over My Head", or "The Cable Car", or even throw a / in there... "Over My Head/Cable Car" would work, though still silly, just not as silly. There are no reasons to have subtitles in your songs. Unless your Meat Loaf, and in that instance, your songs are 24 minutes long, so you probably deserve a subtitle. Just my thoughts.
Anyway, everyone now... "REEEGGUUULLLAAATTOOOORRSSS!!!!!! Mount up."
"The Most Beautiful Girl in the World" by Prince... One of The Purpled One's lesser known tunes, I like it. I own the cassette single. It's fun. It's silky. It's Prince before he lost all of his talent.
"The Sign" by Ace of Base... Personally, I preferred "Don't Turn Around", but this one is the most popular.
"Mmm Mmm Mmm Mmm" by The Crash Test Dummies... In the archives of ridiculous songs, this has to be right up there. I daresay that when this song comes on the playlist, this will be the first time some of you have either ever heard this song, or have heard it in about, maybe 14 or 15 years.
There's my new playlist, courtesy of "In My Coffee (the clouds)", starring d$ feat. The Lovely Steph Leann.
"Cantaloop" by Us3... Ladies and gentlemen, as you know, we have something special down here at Bird Land this evening, a recording from Blue Note Records. I dare you not to get into this beat.
"Mary Jane's Last Dance" by Tom Petty... I don't think, even as an 18 year old, I recognized this song being about mary-ju-wanna at the time. This brings back memories of Erin Magonigal sitting with myself, Lisa Murphy, Allison Wiggins, Stephanie Massey, Wookiee, The Wench and Kate Gates, singing along during dinner at SAGA. The video, featuring a then-young-and-hot Kim Basinger? Awesome.
"Because the Night" by 10,000 Maniacs... There's a bridge at the end of the song that I, to this day, still have no clue what exactly she's saying. I actually made up an entire verse that had something to do with "I have no... idea... what to sing so I will go... and make... it up". I sang this to Lisa Murphy while driving to Subway around 1am one night. She loved it. Lisa Murphy rocked.
"...And Our Feelings" by Babyface... Ever had those songs that are like, forever old, and to this day, when they come on, you're still all about it? Babyface was awesome back in the day... this is one that I happily sing along to, loudly, while in the car... "AAAAnd our feeeelings! Just aren't feelings anymore... they're just words without emotions from people we don't know... No! No! No No No nonononono!!!!"
It also helps that the song title has at its beginning an ellipsis. You know my love of ellipses... much better than the use of ( ) in song titles (more on that below).
"You Mean the World to Me" by Toni Braxton... This song is part of the Toni Trifecta, also featuring "Another Sad Love Song" and "Breathe Again". Its rare for any artist to have three straight incredibly incredible songs, but she did it. I love me some Toni... she's who my car is name after.
"Mr. Jones" by Counting Crows... My main problem with Adam Duritz is how in the world he could be some homely looking and still get with all these hot celebrities? In his prime, he dated not only a in-her-prime Jennifer Aniston, but also a in-her-prime Courtney Cox, a still in-her-prime Monica Potter and even a relatively-cute-then Winona Ryder. This would be like dopey me dating The Official Clouds in My Coffee Official High School Crush Julie Wise and Sandy Wright, but then going on to date The Official Clouds in My Coffee Troy State Crush Tiffany Abbott, followed by Laura DeGarmo before finally ending up with The Lovely Steph Leann. Wait... come to think of it, I had a pretty good run myself. Scratch all that.
"Come to My Window" by Melissa Ethridge... For The Lovely Steph Leann's money, she'd take "I'm The Only One" over this song anytime. Not me. I love the slow kick off, followed by the great vocals and guitar. I mean, yeah, she's singing in the choir of the Lesbetarian Church, but still... just cause Elton John is Brokeback doesn't mean that "Your Song" is any less diminished. So be it with Melissa.
"All I Wanna Do" by Sheryl Crow... I feel sad that Sheryl Crow has slowly become a laughing stock liberal. She used to be so awesome! As a matter of fact, I'm actively working on a list of "d$'s Favorite Artists, Ever", and Sheryl has to be Top Five. "The Globe Sessions"? One of my favorite CDs, ever.
As lamented in a previous post, I miss this Sheryl Crow. Sassy, hot, talented, and not a left wing moron.
"Stay" by Lisa Loeb & Nine Stories... There are those songs that you know by heart, and can sing anytime, anywhere. Then there are those songs that you know by heart, but you can't start in the middle... you have to start at the beginning. If someone said to you, "Hey, what's that part in the song about living forever? How does it go, I would have to start at the beginning, singing really softly and quickly to myself, "yousayidonlyhearwhatiwantto... (mumble through the verse)... soiturntheradiooniturntheradioupandthiswomanwassingingmysong... (mumble some more)... someofushoverwhilewerewaitingfortheotherwhowasdying... (a big more mumbling)... and I thought I'd live forever, and now I'm not so sure!! That's it!"
"Shine" by Collective Soul... I think Collective Soul could have been bigger, had they not come on the heels of Pearl Jam and Nirvana. They were rock without being metal, and were still pretty cool. As it is, they were awesome for the next, I dunno, like 7 years or something... "Gel", "December", "The World I Know" and one of my favorite running/driving songs, "Heavy". This song started it all though. There was a rumor that dcTalk's "So Long My Friend", a song about someone who gave up their walk with Christ to be famous, was about Collective Soul.
"Loser" by Beck... Let's face it, I don't know what this song is about. No, you don't either. Don't try.
"Regulate" by Warren G feat. Nate Dogg. Had to listen to this song throughly to make sure the only questionable material in the song was just mentions of tricks and ho's. We're good.
Maybe this was the first, maybe it wasn't, but this song was at the beginning of the "Featuring" trend. Remember how Paul McCartney and Michael Jackson sang "Say Say Say"? It was "Say Say Say" by Paul McCartney AND Michael Jackson. The "And" represented the fact that both parties did equal amounts of work. But here? Its not Warren G and Nate Dogg... oh nay nay. Its Warren G "FEATURING" Nate Dogg... and its not even "featuring", its "feat.". Can you imagine "Islands in the Stream" by Dolly Parton feat. Kenny Rogers? Or "Endless Love" by Diana Ross feat. Lionel Richie? I'm more bitter about this than I am with the use of ( ) in songs.
I hate when a song uses parantheses in the title. Bryan Adams, are you listening? Either name your song "Everything I Do", or "I Do It For You", or even "Everything I Do I Do It For You", but don't throw ( ) in there. "Everything I Do (I do it for you)". Why? "Over My Head (cable car)" is stupid. Either call it "Over My Head", or "The Cable Car", or even throw a / in there... "Over My Head/Cable Car" would work, though still silly, just not as silly. There are no reasons to have subtitles in your songs. Unless your Meat Loaf, and in that instance, your songs are 24 minutes long, so you probably deserve a subtitle. Just my thoughts.
Anyway, everyone now... "REEEGGUUULLLAAATTOOOORRSSS!!!!!! Mount up."
"The Most Beautiful Girl in the World" by Prince... One of The Purpled One's lesser known tunes, I like it. I own the cassette single. It's fun. It's silky. It's Prince before he lost all of his talent.
"The Sign" by Ace of Base... Personally, I preferred "Don't Turn Around", but this one is the most popular.
"Mmm Mmm Mmm Mmm" by The Crash Test Dummies... In the archives of ridiculous songs, this has to be right up there. I daresay that when this song comes on the playlist, this will be the first time some of you have either ever heard this song, or have heard it in about, maybe 14 or 15 years.
There's my new playlist, courtesy of "In My Coffee (the clouds)", starring d$ feat. The Lovely Steph Leann.
A Quiet Time with a Man of God
What a gorgeous day. You know how sometimes you want to roll the window down, feel the air coming in as you drive, but either its a bit too chilly, or its just too hot, even traveling at 40, 50+ miles per hour, so you end up rolling the window back up, and you have to pipe down the radio, because you had it blaring--blaring out because your windows were down, right?
Today was the kind of day that you could roll down the window and drive, the air felt treeeeemendously awesome and the CD playing could blast away. My CD of choice? "Cracked Rear View" by Hootie & the Blowfish. Normally, I use my iPod, but with the car dock, sometimes its all staticky, and I wanted to feel the air rushing around my head, even in my ears, so I had to dispense with the earbuds...
Hence, an actual CD in my car stereo. And you can't go wrong with "Cracked Rear View", by far and away their best CD of the band's career.
The latest stop on my Reunion Lunch Tour had me meeting for lunch with Barrow, a friend from the old days at Troy that I hadn't seen in at least 10 years. Very good to see Barrow, though next time I have a reunion lunch--or any kind for that matter--its gotta be somewhere different than Chick-fila. Had it like, three times in the last four days. Too much.
Had to stop for gas, as Toni Rocki Honda was gasping for fuel, then stopped off at Valleydale Church (an sbc fellowship) to run up to the theater and pick up a suitcase I left backstage. I was using the suitcase as a prop on Sunday morning's KidStuf performance, another one that we thought would be an unmitigated disaster, but came off extremely well... actually, I worry more about those KidStuf Sundays when everything seems perfect.
The Funniest Man of 2008, Rhett Barnett, and I joked on Sunday that when its perfect, it almost feels as if we're too arrogant, and God puts us back in our place. When we royally screw it up over and over, its as if God steps in and says, "Oh my Me, you guys just need to back up and let me handle this. Geez. Want something done, gotta do it Myself".
Stopped off at the Hoover Public Library to tour the audio books, which they've expanded (still didn't find much of anything good at the time) and the CDs (which they are currently removing for a few weeks to sift through, get rid of old ones and put new ones in the selection). I did pick up a copy of Natalie Grant's new CD, as well as one from Third Day, so we'll see what it looks like.
By the time I had pulled out of the parking lot, the Hootie CD had run its course, so I had change out the music... I was disappointed to learn that I had not put in "The Globe Sessions" by Sheryl Crow in my CD wallet, so I settled for "Sheryl Crow" by Sheryl Crow, which made for another good driving CD.
Took a trip to Starbucks on 119, my current store to pick up my tips, saw my friend MZ and also Lil Sister Ashley, so I conversed with both of them. Got my tip money from last week, and then finally headed to my final destination before coming back to The Cabana... Veteran's Park, where I planned on having a good ol' fashioned quiet time. Though they aren't nearly as frequent as they should be, they are getting more frequent now as time goes by. My prayer of "Help me need a quiet time" has been coming truthful, as I actually want to have one. Strange, I know.
The scene from where I sat at Veteran's Park. Life rocks. Except for the pollen that is now embedded in my Word Sheath, all things are great.
Also came up Paulie Walnuts and his wife, Sammi C, as they were picnicking with Baby Cate on this wonderful Spring day.
I flipped through Luke 23, as directed by my Sunday Scho.... er, Life Connection book that we've going through, but found myself on Psalm 40:
I waited and waited and waited for God. At last he looked; finally he listened. He lifted me out of the ditch, pulled me from deep mud. He stood me up on a solid rock to make sure I wouldn't slip. He taught me how to sing the latest God-song, a praise-song to our God. More and more people are seeing this: they enter the mystery, abandoning themselves to God. -- vs. 1-3, so sayeth The Message
Love it. David knew he was writing for readability, so he broke up Psalm 40 into sections, much like most of the Psalms are, and so it might be nice to take a few verses at a time over a couple of days.
Also, while listening to the iPod on a playlist called "Open Me Up" name for a song by Watermark, one of my favorite bands, a gem came up that, had I an iPod and play count capability in 1997, I would imagine that this song would have had a couple of dozen plays... "Man of God" by Audio Adrenaline, off of the forgotten but much loved "Bloom" album. While its true that I think the band peaked with "Underdog", the aforementioned "Bloom" was great.
Here's my take on Audio Adrenaline... the first CD was just silly. Its kinda like dcTalk's first CD, or their second, "Nu Thang", with the immortal classic "I Luv Rap Music". Shoot me. The second, "Don't Censor Me" was good... it wasn't great, but it was good. It features the oft recited and hand motioned "Big House", which can be annoying if you hear it more than twice in, I dunno, a year. Next was "Bloom", which like I said, was solid but not perfect. I think "Bloom" was the album the studio wanted them to make, and then they did "Some Kind of Zombie", which was excellent (you ever want to get a party going, pop in the title track, or "Blitz", their collaboration with The O.C. Supertones)... but it was like, they wanted to make something more rockin' than the previous stuff, so they overcompensated on the rock effect with "Zombie"... don't get me wrong, its a great CD, but they went from one extreme to the other.
"Underdog" got it right. The fine balance between rock, pop and just a little grunge with some Holy Spirit mixed in all of it was just perfect. Loved that CD, probably listened to it a dozen times or more in the first month it was out. The next several, like "Lift", "Worldwide" and "Until My Heart Caves In" all kind of sounded alike to me, though I'm probably going to give them all another try at some point.
Anyway, my point is I heard "Man of God" again for the first time in maybe five years... and its a great song...
Sometimes I'm a liar, sometimes I'm a fake, sometimes I'm a hypocrite that everybody hates.
Sometimes I'm a poet, sometimes I'm a preacher, sometimes I watch life go by sitting on the bleachers
But I've never been left alone in any problems that I've known
Even though I'M TO BLAME (blog authors emphasis)
There were times when things were dark and I've been known to miss the mark
But Someone fixed my aim
Sometimes I'm a Man of God
Sometimes I'm alright
Sometimes I lay down and close my eyes and pray to God...
Sometimes I don't feel good, its hard to start the day, its hard to climb the obsticles that sometimes come my way
If I make it, I'm a good man. Am I a bad man if I fail?
I know I'm never good enough, so I left GRACE PREVAIL (blog authors emphasis, again)
I've never been left alone in any problem that I've known
Even though I'm to blame
There were times when things were dark and I've been known to miss the mark
But Someone fixed my aim
Sometimes I'm a Man of God
Sometimes I'm alright
Sometimes I lay down and close my eyes and pray to God... I'm ready for the night
Right now I'm alright, right now I'm alright, sometimes I'm alright
I'm alright, I'm alright, thank God, thank God
Cause sometimes I'm a Man of God
Sometimes I'm alright
And sometimes I lay down and close my eyes and pray to God...
The song plays over a screenshot of "Hit Parade", one of their greatest hits compilations.
Alright... its almost 5pm. I'm going to go enjoy the rest of my day off, the day that He tossed at us to take delight in. Cause that's how He rolls. Idol results tonight.
Today was the kind of day that you could roll down the window and drive, the air felt treeeeemendously awesome and the CD playing could blast away. My CD of choice? "Cracked Rear View" by Hootie & the Blowfish. Normally, I use my iPod, but with the car dock, sometimes its all staticky, and I wanted to feel the air rushing around my head, even in my ears, so I had to dispense with the earbuds...
Hence, an actual CD in my car stereo. And you can't go wrong with "Cracked Rear View", by far and away their best CD of the band's career.
The latest stop on my Reunion Lunch Tour had me meeting for lunch with Barrow, a friend from the old days at Troy that I hadn't seen in at least 10 years. Very good to see Barrow, though next time I have a reunion lunch--or any kind for that matter--its gotta be somewhere different than Chick-fila. Had it like, three times in the last four days. Too much.
Had to stop for gas, as Toni Rocki Honda was gasping for fuel, then stopped off at Valleydale Church (an sbc fellowship) to run up to the theater and pick up a suitcase I left backstage. I was using the suitcase as a prop on Sunday morning's KidStuf performance, another one that we thought would be an unmitigated disaster, but came off extremely well... actually, I worry more about those KidStuf Sundays when everything seems perfect.
The Funniest Man of 2008, Rhett Barnett, and I joked on Sunday that when its perfect, it almost feels as if we're too arrogant, and God puts us back in our place. When we royally screw it up over and over, its as if God steps in and says, "Oh my Me, you guys just need to back up and let me handle this. Geez. Want something done, gotta do it Myself".
Stopped off at the Hoover Public Library to tour the audio books, which they've expanded (still didn't find much of anything good at the time) and the CDs (which they are currently removing for a few weeks to sift through, get rid of old ones and put new ones in the selection). I did pick up a copy of Natalie Grant's new CD, as well as one from Third Day, so we'll see what it looks like.
By the time I had pulled out of the parking lot, the Hootie CD had run its course, so I had change out the music... I was disappointed to learn that I had not put in "The Globe Sessions" by Sheryl Crow in my CD wallet, so I settled for "Sheryl Crow" by Sheryl Crow, which made for another good driving CD.
Took a trip to Starbucks on 119, my current store to pick up my tips, saw my friend MZ and also Lil Sister Ashley, so I conversed with both of them. Got my tip money from last week, and then finally headed to my final destination before coming back to The Cabana... Veteran's Park, where I planned on having a good ol' fashioned quiet time. Though they aren't nearly as frequent as they should be, they are getting more frequent now as time goes by. My prayer of "Help me need a quiet time" has been coming truthful, as I actually want to have one. Strange, I know.
The scene from where I sat at Veteran's Park. Life rocks. Except for the pollen that is now embedded in my Word Sheath, all things are great.
Also came up Paulie Walnuts and his wife, Sammi C, as they were picnicking with Baby Cate on this wonderful Spring day.
I flipped through Luke 23, as directed by my Sunday Scho.... er, Life Connection book that we've going through, but found myself on Psalm 40:
I waited and waited and waited for God. At last he looked; finally he listened. He lifted me out of the ditch, pulled me from deep mud. He stood me up on a solid rock to make sure I wouldn't slip. He taught me how to sing the latest God-song, a praise-song to our God. More and more people are seeing this: they enter the mystery, abandoning themselves to God. -- vs. 1-3, so sayeth The Message
Love it. David knew he was writing for readability, so he broke up Psalm 40 into sections, much like most of the Psalms are, and so it might be nice to take a few verses at a time over a couple of days.
Also, while listening to the iPod on a playlist called "Open Me Up" name for a song by Watermark, one of my favorite bands, a gem came up that, had I an iPod and play count capability in 1997, I would imagine that this song would have had a couple of dozen plays... "Man of God" by Audio Adrenaline, off of the forgotten but much loved "Bloom" album. While its true that I think the band peaked with "Underdog", the aforementioned "Bloom" was great.
Here's my take on Audio Adrenaline... the first CD was just silly. Its kinda like dcTalk's first CD, or their second, "Nu Thang", with the immortal classic "I Luv Rap Music". Shoot me. The second, "Don't Censor Me" was good... it wasn't great, but it was good. It features the oft recited and hand motioned "Big House", which can be annoying if you hear it more than twice in, I dunno, a year. Next was "Bloom", which like I said, was solid but not perfect. I think "Bloom" was the album the studio wanted them to make, and then they did "Some Kind of Zombie", which was excellent (you ever want to get a party going, pop in the title track, or "Blitz", their collaboration with The O.C. Supertones)... but it was like, they wanted to make something more rockin' than the previous stuff, so they overcompensated on the rock effect with "Zombie"... don't get me wrong, its a great CD, but they went from one extreme to the other.
"Underdog" got it right. The fine balance between rock, pop and just a little grunge with some Holy Spirit mixed in all of it was just perfect. Loved that CD, probably listened to it a dozen times or more in the first month it was out. The next several, like "Lift", "Worldwide" and "Until My Heart Caves In" all kind of sounded alike to me, though I'm probably going to give them all another try at some point.
Anyway, my point is I heard "Man of God" again for the first time in maybe five years... and its a great song...
Sometimes I'm a liar, sometimes I'm a fake, sometimes I'm a hypocrite that everybody hates.
Sometimes I'm a poet, sometimes I'm a preacher, sometimes I watch life go by sitting on the bleachers
But I've never been left alone in any problems that I've known
Even though I'M TO BLAME (blog authors emphasis)
There were times when things were dark and I've been known to miss the mark
But Someone fixed my aim
Sometimes I'm a Man of God
Sometimes I'm alright
Sometimes I lay down and close my eyes and pray to God...
Sometimes I don't feel good, its hard to start the day, its hard to climb the obsticles that sometimes come my way
If I make it, I'm a good man. Am I a bad man if I fail?
I know I'm never good enough, so I left GRACE PREVAIL (blog authors emphasis, again)
I've never been left alone in any problem that I've known
Even though I'm to blame
There were times when things were dark and I've been known to miss the mark
But Someone fixed my aim
Sometimes I'm a Man of God
Sometimes I'm alright
Sometimes I lay down and close my eyes and pray to God... I'm ready for the night
Right now I'm alright, right now I'm alright, sometimes I'm alright
I'm alright, I'm alright, thank God, thank God
Cause sometimes I'm a Man of God
Sometimes I'm alright
And sometimes I lay down and close my eyes and pray to God...
The song plays over a screenshot of "Hit Parade", one of their greatest hits compilations.
Alright... its almost 5pm. I'm going to go enjoy the rest of my day off, the day that He tossed at us to take delight in. Cause that's how He rolls. Idol results tonight.
The Clouds are Singing
In case you've noticed, or haven't, there are a few new things added to the Clouds in My Coffee Blog... my ultimate goal is to make my site your one-stop shop for news links, weather links, sports links and other fun stuff to read, but that's farther down the road... we'll get there.
Added a new blog column to My Recommended Blogs list. Heather "The Angel" Hanson (now Conkle... and The Lovely Steph Leann thought she had it bad going from Campbell to Dollar...) writes a blog--I managed to find Heather via Facebook. In fact, Heather plays a role in the most embarrassing and at the same time most hilarious moment of my Troy life involving boxer shorts, but that's for another day. Her blog is entitled "Tell Me the Old, Old Story", and you can find it here... or on the links on the side. Show HH some love.
I've added a couple of widgets to the side--a "widget" is a little block of links an info--that you might find fun... one is Birmingham's weather, another in the sports section is the ESPN widget, for sports. Near the bottom, under my facebook widget, is The Sports Guy, who is one of my favorite columnists. Not too far under that is an iTunes widget, followed by a Pop Candy link to USA Today's Pop Culture columnist, Whitney Matheson.
And thanks to Heather "The Angel" Hanson, there's now music playing on the Clouds In My Coffee Blog.
You may be enjoying it, or you might have immediately gone to find it and shut if off. Right now I've got it autostarting, and randomly playing the list... if you are like me, when you visit a blog page, you are usually not there long enough to get through more than one or two songs, much less an entire playlist. With that in mind, I wanted to make sure the songs on the bottom got some love too, not just the ones near the top.
The fun part of doing any kind of playlist like this is... what do I put on here? You can put up to 100 songs on the list, via the site I used--Playlist.com. But really, I don't know that I want a playlist of 100 songs on any site, and definately not mine.
So I chose music that I really enjoyed, music that perhaps wouldn't rank in my top ten, but nonetheless that I loved, that I knew, and styles that I felt would represent who I am. Much of it is from the 90s, during music was at its peak, but there is some earlier and some later stuff.
This might be the closest I've done to an iTunes Celebrity Playlist... Here's what I chose, let me know what you think...
"Little Green Bag" by The George Baker Selection. Featured prominently in "Reservoir Dogs" during the brilliant opening sequence, its fun, its catchy, and its a great way to kick off the Clouds In My Coffee music list.
"You're So Vain" by Carly Simon. How could a blog entitled "Clouds In My Coffee" not feature the song that the words came from. This song is truly amazing, a song of anger, yet sadness. And Carly has never been better.
"Possession" by Sarah McLachlan. My. Favorite. Song. Ever.
"100 Years" by Five for Fighting. The more I hear this song, the more I like it. The opening is just hypnotic, and the lyrics just make you think about your life. Maybe thats a good thing, maybe not, but it only takes 100 years to live.
"Running from an Angel" by Hootie & the Blowfish. Make fun of it if you want, but if you were in high school or college from 1993 to 1996, Hootie was one of the biggest bands around. This is my favorite song off of one of my favorite albums ever, "Cracked Rear View"
"Time After Time" by Nichole Nordeman. The Cyndi Lauper version is really good. There's another out there now with both Lauper and Sarah McLachlan... but this one, this version off of Nichole's live concert CD is a masterpiece. Seriously, I almost cried when I heard it for the first time.
"I'd Die Without You" by PM Dawn. This was my favorite song ever, until earlier this year, when "Possession" finally took it over and ended its 15 year reign at the top. So it resides at a very close #2.
"Callin' Baton Rouge" by Garth Brooks. Garth is just awesome, and this is my favorite country song ever. This is perfect to be sung loudly while traveling 78 on I-65 heading to Montgomery. Or wherever.
"Full Moon" by Brandy. Being born a poor black child, I'm a fan of R&B, and it doesn't get any more R&B'ier than this joint from Brandy. Dis juke is my jam, boo.
"The Remedy" by Jason Mraz. As much fun as this is to sing, its more fun when you can nail all the lyrics. That slammin' part in the second verse? Uncovering the ways to plan the next big attack they were counting down the ways to stab the brother in the be right back after this, the unavoidable kiss, where the minty fresh death breath is sure to outlast this catastrophe, dance with me, because if you've got the poison, I've got the remedy
"Love Will Never Do Without You" by Janet Jackson. Its hard not preceeding this song with "Miss You Much" because on Janet's "Rhythm Nation 1814", another one of my favorite albums, they go right together. But, in an effort to not feature two songs by the same artist, I picked this one. Mostly because... well, it makes me happy. We all have songs that just make us happy, for no reason other than it does. This is one of those.
"Stay" by Lisa Loeb & Nine Stories. This is the most. fun. song. to. sing. ever. Seriously, this is the song that, when you walk into a room and start it, someone in that room will join you, if not multiple someones. "You say... I only hear what I want to, I don't listen hard, I don't pay attention to the distance that you're running to anyone, anywhere, I don't really care, I'm only hearing negative no no no baaaaaadddd...." NYCJenny is rolling with this song right now.
"Come and Talk To Me" by Jodeci. If I were a pimp, this might be a theme song for one of my ho's. Just sayin'.
"In the Light" by dcTalk. This is one of five songs that define my life as a Christ-Follower. Powerful and convicting, I dare you to find harmony as good as this.
"My Favorite Mistake" by Sheryl Crow. Off another one of my favorite all time albums, "The Globe Sessions". We all have our favorite mistakes, don't we?
So there it is. How'd I do?
Added a new blog column to My Recommended Blogs list. Heather "The Angel" Hanson (now Conkle... and The Lovely Steph Leann thought she had it bad going from Campbell to Dollar...) writes a blog--I managed to find Heather via Facebook. In fact, Heather plays a role in the most embarrassing and at the same time most hilarious moment of my Troy life involving boxer shorts, but that's for another day. Her blog is entitled "Tell Me the Old, Old Story", and you can find it here... or on the links on the side. Show HH some love.
I've added a couple of widgets to the side--a "widget" is a little block of links an info--that you might find fun... one is Birmingham's weather, another in the sports section is the ESPN widget, for sports. Near the bottom, under my facebook widget, is The Sports Guy, who is one of my favorite columnists. Not too far under that is an iTunes widget, followed by a Pop Candy link to USA Today's Pop Culture columnist, Whitney Matheson.
And thanks to Heather "The Angel" Hanson, there's now music playing on the Clouds In My Coffee Blog.
You may be enjoying it, or you might have immediately gone to find it and shut if off. Right now I've got it autostarting, and randomly playing the list... if you are like me, when you visit a blog page, you are usually not there long enough to get through more than one or two songs, much less an entire playlist. With that in mind, I wanted to make sure the songs on the bottom got some love too, not just the ones near the top.
The fun part of doing any kind of playlist like this is... what do I put on here? You can put up to 100 songs on the list, via the site I used--Playlist.com. But really, I don't know that I want a playlist of 100 songs on any site, and definately not mine.
So I chose music that I really enjoyed, music that perhaps wouldn't rank in my top ten, but nonetheless that I loved, that I knew, and styles that I felt would represent who I am. Much of it is from the 90s, during music was at its peak, but there is some earlier and some later stuff.
This might be the closest I've done to an iTunes Celebrity Playlist... Here's what I chose, let me know what you think...
"Little Green Bag" by The George Baker Selection. Featured prominently in "Reservoir Dogs" during the brilliant opening sequence, its fun, its catchy, and its a great way to kick off the Clouds In My Coffee music list.
"You're So Vain" by Carly Simon. How could a blog entitled "Clouds In My Coffee" not feature the song that the words came from. This song is truly amazing, a song of anger, yet sadness. And Carly has never been better.
"Possession" by Sarah McLachlan. My. Favorite. Song. Ever.
"100 Years" by Five for Fighting. The more I hear this song, the more I like it. The opening is just hypnotic, and the lyrics just make you think about your life. Maybe thats a good thing, maybe not, but it only takes 100 years to live.
"Running from an Angel" by Hootie & the Blowfish. Make fun of it if you want, but if you were in high school or college from 1993 to 1996, Hootie was one of the biggest bands around. This is my favorite song off of one of my favorite albums ever, "Cracked Rear View"
"Time After Time" by Nichole Nordeman. The Cyndi Lauper version is really good. There's another out there now with both Lauper and Sarah McLachlan... but this one, this version off of Nichole's live concert CD is a masterpiece. Seriously, I almost cried when I heard it for the first time.
"I'd Die Without You" by PM Dawn. This was my favorite song ever, until earlier this year, when "Possession" finally took it over and ended its 15 year reign at the top. So it resides at a very close #2.
"Callin' Baton Rouge" by Garth Brooks. Garth is just awesome, and this is my favorite country song ever. This is perfect to be sung loudly while traveling 78 on I-65 heading to Montgomery. Or wherever.
"Full Moon" by Brandy. Being born a poor black child, I'm a fan of R&B, and it doesn't get any more R&B'ier than this joint from Brandy. Dis juke is my jam, boo.
"The Remedy" by Jason Mraz. As much fun as this is to sing, its more fun when you can nail all the lyrics. That slammin' part in the second verse? Uncovering the ways to plan the next big attack they were counting down the ways to stab the brother in the be right back after this, the unavoidable kiss, where the minty fresh death breath is sure to outlast this catastrophe, dance with me, because if you've got the poison, I've got the remedy
"Love Will Never Do Without You" by Janet Jackson. Its hard not preceeding this song with "Miss You Much" because on Janet's "Rhythm Nation 1814", another one of my favorite albums, they go right together. But, in an effort to not feature two songs by the same artist, I picked this one. Mostly because... well, it makes me happy. We all have songs that just make us happy, for no reason other than it does. This is one of those.
"Stay" by Lisa Loeb & Nine Stories. This is the most. fun. song. to. sing. ever. Seriously, this is the song that, when you walk into a room and start it, someone in that room will join you, if not multiple someones. "You say... I only hear what I want to, I don't listen hard, I don't pay attention to the distance that you're running to anyone, anywhere, I don't really care, I'm only hearing negative no no no baaaaaadddd...." NYCJenny is rolling with this song right now.
"Come and Talk To Me" by Jodeci. If I were a pimp, this might be a theme song for one of my ho's. Just sayin'.
"In the Light" by dcTalk. This is one of five songs that define my life as a Christ-Follower. Powerful and convicting, I dare you to find harmony as good as this.
"My Favorite Mistake" by Sheryl Crow. Off another one of my favorite all time albums, "The Globe Sessions". We all have our favorite mistakes, don't we?
So there it is. How'd I do?