Showing posts with label Jason Reitman. Show all posts
Showing posts with label Jason Reitman. Show all posts

Jason Reitman: Script Doctor?

In this instance at least, yes. Here's the story from The Playlist:

Considering how long it takes to actually get a movie made—even the most hard-working of filmmakers can go three or four years between projects, through no fault of their own—it’s not surprising that many A-list screenwriters, or writer-directors, get through the lean years by taking script doctor gigs. It’s fast, well-paid work, it rarely amounts to more than a dialogue polish, as the films are generally too close to production for major structural changes to take place, and, if the film turns out badly, it doesn’t reflect badly on you, as any doctoring generally goes uncredited, which is why names from John Sayles to Joss Whedon have made hay from it over the years.

The latest to join their ranks is Jason Reitman, the extremely talented helmer of “Thank You For Smoking,” “Juno” and “Up in the Air.” While he’s still perhaps best known for his collaboration with Diablo Cody on “Juno” (and the upcoming “Young Adult”), Reitman wrote his other two pictures himself, and his Oscar-nominated screenwriting chops have landed him a profitable few weeks of work as he completes his latest film (and gears up for his next, “Labor Day,” which added Josh Brolin and Kate Winslet to its cast yesterday): The Hollywood Reporter say that Reitman has been hired to punch up the script for the Steve Carell vehicle “Burt Wonderstone.”

Surprisingly, Reitman’s never worked as a script doctor before, and it’s unclear how deep his rewrite will go, but the helmer was apparently enthusiastic about working on the film, about a washed-up magician (Carell) unseated by a younger rival. Although that may have just been the wheelbarrow of cast that New Line delivered to his front door. Novelist Chad Kultgen wrote the original draft, while “Horrible Bosses” scribes John Francis Daley and Jonathan Goldstein have been working on it in recent years, so the pedigree is already there, but presumably Carell and studio executives were attracted by the idea of Reitman adding his own voice to the process.

Of course, don’t go expecting a full-flung Reitman-esque project from the finished film: Charlie Kaufman did a similar, much-heralded polish on the recent “Kung Fu Panda 2,” but there’s little in the finished product that’s reminiscent of “Being John Malkovich” or “Adaptation.” The film, to be directed by “30 Rock” veteran Don Scardino, is currently looking for its second male lead, Wonderstone’s nemesis, and is moving towards a fall shooting date, once Carell is wrapped on “Seeking A Friend At The End of the World” and “Great Hope Springs.” Reitman’s “Young Adult,” which stars Charlize Theron, Patrick Wilson and Patton Oswalt, will hit theaters sometime in the fall.

-Joey's Two Cents: These things never end up meaning much, but they're interesting to note...thoughts?

Kate Winselt will star in Jason Reitman's next film!

Entertainment Weekly has the story:

Kate Winslet and Josh Brolin have committed to star as a lost, lonesome mother and an escaped convicted murderer who takes refuge with her and her young son in Jason Reitman’s adaptation of Labor Day, EW has learned.

The drama, which is part love story, part coming-of-age tale, and part thriller, has been adapted from the 2009 novel by Joyce Maynard by Reitman. The movie will shoot in 2012 in New England.

Both actors are repped by CAA, and Indian Paintbrush is producing.

The same year Maynard’s novel was released, the Thank You For Smoking and Juno director earned Oscar nominations for directing, producing and adapting the screenplay for Best Picture contender Up in the Air. The year before, Winslet earned a Best Actress Oscar for The Reader (after five previous nominations) while Brolin was a Best Supporting Actor contender for Milk.

This is the first time the trio is working together. Set in the early ’80s over the late summer holiday weekend, Labor Day opens with divorced, depressed single mom Adele clothes shopping with her 13-year-old son, Henry. They encounter a large, fearsome man — who also happens to be bleeding badly. He asks for a ride, and against all judgment, they give him one.

Are they hostages, accomplices… or just deluded? As police search town for the escaped convict, the mother and son gradually learn his true story and their options become more and more limited.

-Joey's Two Cents: So far, Reitman hasn't let me down yet, and seems to be improving with every outing, so I'm looking forward to this...thoughts?