Box Office Actuals (6/24/11-6/26/11): "Cars 2" Easily Takes The Checkered Flag...

Via Box Office Mojo, The Numbers, Deadline, and other sources:

Overcoming the distinction of being the first negatively reviewed Pixar film ever, "Cars 2" roared past the field and collected an impressive $66.1 million, besting the start of "Cars" in 2006 when strictly counting dollars. Attendance was down comparatively however with more than 40% of ticket sales for "Cars 2" coming off its 3-D exhibitions.

In the Pixar family of films, "Cars 2" looks impressive when compared to other openings from the studio. "Cars 2" represents the 4th largest June opening of all time and the 5th largest Pixar opening of all time, trailing behind "Toy Story 3" (2010, $110.3 million), "The Incredibles" (2004, $70.5 million), "Finding Nemo" (2003, $70.3 million), and "Up" (2009, $68.1 million).

And with all the negative reviews levied upon the film, "Cars 2" represents the always prevalent disconnect between critics and audiences. By the time of this writing, "Cars 2" had watched its Tomatometer drain down to 33% (?!) but CinemaScore polling of opening weekend audiences found the film score an A-. Additionally, the start for "Cars 2" also secured Pixar their 12th consecutive #1 wide opening (both "A Bug's Life" and "Toy Story 2" opened on one screen initially, only to move to #1 with its wide release the following weekends).

With so much of the news good for "Cars 2", Pixar and Disney seem unconcerned with the negative response the film received prior to its opening. Nikki Finke at Deadline reports one unnamed Disney source as stating, "Critics not liking a movie doesn't seem like it will hurt the Pixar brand in my opinion. It will be their 12th #1 film in a row and will rank near the top for opening weekends." And they were right.

One unexpected benefit from seeing "Cars 2" in theaters is having the chance to catch "Toy Story: Hawaiian Vacation", a new animated short film which tore the house down at my screening and looks to be a player for the Best Animated Short Film Oscar, if it is submitted for consideration. Additionally, Pixar made the curious decision to launch promotional efforts for next summer's "Brave", a action/adventure epic featuring a female lead voiced by Kelly McDonald.

The debut of the teaser is not noteworthy per se, with studios piggybacking their next big project on the backs of their latest releases all the time. This, however, seemed different. Pixar did not just deliver a teaser, but they always sent out stills and production notes and other marketing gimmicks, almost as if to try and deflect attentions away from the increasingly lukewarm and bad PR for "Cars 2".

For what it's worth, "Brave" became the hot topic amongst those both in and out of the movie industry and the film, initially, looks fantastic.

Cameron Diaz hits a couple of milestones you may not be aware of, the now-weekly Allen/Malick analysis, and a flood of indie documentaries and dramas look to make their mark. All of this and the Top 40 after the cut!


BAD TEACHER

Blowing away even the most optimistic of expectations, "Bad Teacher" graded high with a strong $31.6 million start. Although not confirmed, sources reported that the film was held to a modest budget of less than $20 million, making this film already a big success. A lot of eyes were looking past "Cars 2" and felt that the real story of the weekend would be how this film would perform in a post-"Bridesmaids" world of female-led, R-rated adult comedy. The results have to make Sony Pictures ecstatic, as they were anticipating about $20 million for its opening frame.

Deeper analysis must turn towards Cameron Diaz. She has opened many a film with her name above-the-title but rarely as the main attraction. While this film does have A-list supporting actors Justin Timberlake and Jason Segel on board, "Bad Teacher" was solely marketed as a Diaz picture through and through. And for Diaz, it achieved a couple of significant milestones in her now nearly 20-year career.

For starters, it was the largest live-action opening for Diaz appearing above-the-title since 2003's "Charlie's Angels: Full Throttle" sequel, which started with $37.6 million, on its way for a gross of $100.8 million. However, if you discount the "Charlie's Angels" films as not being Diaz openings, since they were obviously ensemble films, then this is the biggest opening for a Diaz-led flick ever.

Additionally, and to some controversy, Box Office Mojo identifies Diaz as the biggest grossing actress of all time, calculating receipts for her films to the sum of $2.7 billion dollars domestically. You can see the complete list here. It is hard to say how "Bad Teacher" will hold up in its second weekend, with females and couples tracking strong for the upcoming Tom Hanks and Julia Roberts' romantic comedy, "Larry Crowne" arriving this weekend. Regardless, "Bad Teacher" was anything but bad or unpleasant for any and all involved with the project.

MIDNIGHT IN PARIS

Dipping out of the Top 10, with a small decline of 14.6%, Woody Allen's "Midnight In Paris" continued to perform strong despite losing 87 locations in the first theater reduction of its run. Closing in on its production budget of $30 million, "Paris" needs to gross approximately $12 million more stateside to become the largest grossing Allen film of all time (a distinction held by 1985's "Hannah And Her Sisters"). Oscar buzz continues to swirl around the film's screenplay but less so regarding its Best Picture chances, with the Academy's recent overhaul of the Best Picture nomination rules. "Paris" continues to produce the biggest weekend numbers of Allen's career however and the risk on giving Allen a bigger budget, after a string of disappointments, seems to have paid great rewards for Sony Pictures Classics.

THE TREE OF LIFE

Chugging right along, "The Tree Of Life" missed the Top 10 again, but still banked $1.3 million for a 12th place finish, a rise of 14.1%, as it expanded further into 215 locations. With a North American haul of $5.8 million and international box office of more than $15 million, "The Tree Of Life" is closing in on becoming profitable with its $32 million production budget. There were no indications whether Fox Searchlight were going to expand the film to more theaters heading into July, as the original plans were to have the film at its widest release point by the end of June.

BUCK

Drawing on an impressive start at 4 locations last weekend and strong word-of-mouth, IFC Films pushed "Buck" into 50 additional sites and saw nice success with their small scale documentary of a man who has given his life over to the world of horses and aiding in their interactions with human beings. "Buck" drew a healthy $5,398 per screen average and pulled in $292k, gaining 331.5%, and cracking the Top 20 overall. Those who see it love it and the Tomatometer of 86% is noteworthy. "Buck" seems to fall in line with a steady stream of crowd-pleasing documentaries that have fared well at the box office in 2011 and could be in the conversation when the Oscar Best Documentary contenders are discussed later this fall.

BEGINNERS

With Christopher Plummer's performance recently being dubbed a "Safe Bet" by IndieWire for a Best Supporting Actor nomination this week, "Beginners" continues to quietly impress in its limited release. Although it dips a notch in the overall rankings, "Beginners" grew its audience 32.7% in adding 29 locations. Only reaching 73 sites in North America, "Beginners" has eclipsed $1.55 million in overall ticket sales and benefits from rapturous support from all who see it. "Beginners" might be that slow rolling hit that pulls a decent little sum and finds a larger audience on home video in the fall. Suffice to say as "Midnight In Paris" starts to fatigue a bit, "Beginners" could be that next dark horse to pull some nice weekend numbers if Focus opts for a wider rollout.

ADDITIONAL INDEPENDENT OPENINGS

A significant number of small scale releases flooded the large cities and were met with mixed reactions.

First off, "Conan O'Brien Can't Stop" arrived at 24 sites with a acceptable $97k start and per screen average of just over $4k. The film has been well received by critics and the film takes an unflinching look at O'Brien as he mounted a 2010 comedy tour after being unceremoniously fired from his NBC Tonight Show hosting gig and before the debut of his TBS talk show. Distributed by documentary veterans Abramorama, the film will need strong word-of-mouth and more availability to become an impressive success.

Summit Entertainment saw an impressive start to the quiet and contemplative drama, "A Better Life", starring Best Actor hopeful Demian Bachir as a father trying to provide a better life for his troubled son. Directed by Chris Weitz, with a healthy $15,522 per screen average, the film launched with $62k on just 4 screens.

Music Box Films saw a nice start for their French comedy import, "The Names Of Love". Starring Sara Forestier as a left-wing activist who beds her political opponents to convince them to see things her way, the film picked up $30k and a $6k per screen average. Music Box have a way of getting impressive legs out of their marketing efforts, and although reviews are mixed from domestic critics, the film might be quirky enough to earn a few thousand dollars in its run.

"Turtle: The Incredible Journey" opened at 24 locations as well and did not find nearly the same interest as Conan O'Brien did. Documenting a turtle's perilous journey along the Gulf Stream, the film drew a modest $2,891 per screen average and $69k start.

China Lion dropped the historical Chinese Revolution epic, "The Beginning Of A Great Revival" into 29 locations for a muted $66k start. China Lion's films are released theatrically in an exclusivity arrangement with AMC Theaters, and despite the smallish per-screen average, the film bested or matched the final box office earnings of five other China Lion/AMC releases.

REMAINING TOP 12 FILMS

Audiences fled from "Green Lantern" in its second weekend. The film hemorrhaged a worse than anticipated 66.1%, undoubtedly hit hard by interest in "Cars 2". The film has earned $89 MM and now looks as if it has no hope of recovering the $200 million production budget with its domestic haul. Response overseas has been stunted with a global gross totaling approximately $129 million thus far.

Despite seeing its theaters slashed from 2,500 sites to just over 2,000, "Bridesmaids" lost only one-quarter of its previous weekend's audience and is closing in on $150 million in box office earnings. "Pirates Of The Caribbean" also dropped a quarter of its previous weekend's audience; rather surprising for a film that has been dropping steadily since its opening weekend.

THE DISCOUNT HOUSE

"Something Borrowed" added 91 locations and saw a modest 11.6% uptick in ticket sales. The romantic comedy salvaged a decent theatrical run after a lackluster opening, grossing a profitable $38.4 million. The film arrives on home video August 16, 2011.

"African Cats" added only one theater, but increased another 241%, grossing nearly $200k at 122 discount locations. DisneyEarth's documentary has been earmarked for an October 4, 2011 home video release.

THE WEEKEND BREAKDOWN

#1 Film - "Cars 2", earned $66.1 million in its debut weekend.

Last Year's #1 Film at this time: "Toy Story 3", held with a $59.3 million second weekend.

Biggest Per Screen Average: "Cars 2", $16,072 at 4,115 locations ($66.1 million cumulative)

Worst Per Screen Average (50+ Sites): "The Beaver", $260 at 66 locations ($17k, $958k cumulative)

Largest Increase (50+ Sites): "Buck", +331.5%

Steepest Decline (50+ Sites): "The Art Of Getting By", -80.1%

Films Earning More Than $1m for the weekend: 12

Films Which Surpassed $100m: N/A

Films Which Surpassed $200m: N/A

Films Which Surpassed Reported Budget This Weekend (Domestic): "Bad Teacher" (unconfirmed), "Kung Fu Panda 2"

The Top 40 and other notables!

TW	LW	DAY	FILM	WKD	TOTAL	% CHG
1	N	3	Cars 2	$66.1m	$66.1m	New
2	N	3	Bad Teacher	$31.6m	$31.6m	New
3	1	10	Green Lantern	$18.0m	$89.0m	-66.1
4	2	17	Super 8	$12.0m	$95.1m	-44.0
5	3	10	Mr. Popper's Penguins	$10.1m	$39.3m	-45.0
6	4	24	X-Men: First Class	$6.7m	$132.9m	-44.0
7	5	32	The Hangover Part II	$5.6m	$243.7m	-44.7
8	7	45	Bridesmaids	$5.3m	$146.5m	-25.9
9	8	38	Pirates... On Stranger Tides	$4.9m	$229.3m	-25.8
10	6	32	Kung Fu Panda 2	$4.173m	$153.1m	-53.8
11	9	38	Midnight In Paris	$4.171m	$28.3m	-14.6
12	11	31	The Tree Of Life	$1.3m	$5.8m	+14.1
13	10	17	Judy Moody/NOT Bummer Summer	$618k	$13.4m	-70.6
14	15	73	Rio	$532k	$139.6m	+2.8
15	12	52	Thor	$511k	$177.2m	-55.3
16	13	80	Fast Five	$508k	$207.8m	-41.7
17	16	24	Beginners	$471k	$1.6m	+32.7
18	33	10	Buck	$292k	$387k	+331.5
19	17	66	Water For Elephants	$256k	$57.7m	-16.2
20	22	52	Something Borrowed	$226k	$38.4m	+11.6
21	20	80	Born To Be Wild IMAX	$226k	$7.7m	+2.8
22	18	80	Soul Surfer	$209k	$43.1m	-14.1
23	36	66	African Cats	$199k	$15.2m	+241.6
24	24	17	The Trip	$155k	$530k	-11.9
25	19	59	Cave Of Forgotten Dreams	$142k	$4.4m	-41.0
26	23	101	The Lincoln Lawyer	$137k	$57.6m	-31.1
27	14	10	The Art Of Getting By	$135k	$1.4m	-80.1
28	25	115	Rango	$117k	$123.0m	-21.1
29	27	465	Hubble 3D	$100k	$26.1m	-13.4
30	21	52	Jumping The Broom	$100k	$37.3m	-52.6
31	N	3	Conan O'Brien Can't Stop	$97k	$97k	New
32	29	87	Insidious	$73k	$53.5m	-19.6
33	30	66	Incendies	$70k	$1.7m	-20.6
34	N	3	Turtle: The Incredible Journey	$69k	$69k	New
35	26	87	Source Code	$69k	$54.5m	-43.3
36	N	3	Beginning Of The Great Revival	$66k	$66k	New
37	N	3	A Better Life	$62k	$62k	New
38	RE	395	Sea-Rex 3D: Journey To A Prehistoric World	$59k	$3.2m	RE
39	28	59	Hoodwinked Too...	$55k	$10.0m	-42.4
40	39	73	The Double Hour	$50k	$1.2m	+4.8

BUBBLING UNDER INCREASES AND OPENINGS:

42. “Page One: A Year Inside The New York Times”, $45k, $87k total, +56.5%

48. "The Names Of Love", $30k, NEW

50. "Space Station 3-D IMAX", $26k, $83.8m total, RE-RELEASE

53. “Trollhunter”, $20k, $53k total, +51.3%

55. “In A Better World”, $19k, $882k total, +81.1

Good luck getting a refund if you didn't care for The Tree of Life...

...at least at one theater. Thoughts?

Box Office Actuals (6/17/11-6/19/11): A flickering "Lantern" lights the way...

Via Box Office Mojo, The Numbers, Deadline, and other sources:

Despite a strong start with higher than expected numbers from midnight showings and a well attended Friday night, Warner Bros. saw its "Green Lantern" flicker and dim by the end of the weekend. The third superhero film to arrive in 2011, following "Thor" and "X-Men: First Class", "Green Lantern" was the least attended opening weekend of the three, starting at a $52.3 million clip. Most films would be thrilled to land that sum, but everything has perspective and Warner Bros. are hugely disappointed in the diminishing returns.

A strong midnight to strong Friday to lessening Saturday to dismal Sunday can be attributed to a lot of different factors. Initially, the film was ravaged by critics and although CinemaScore provided a B+ rating from audience members, the fact is that people stopped coming after the first eyes got a look at the final cut. That pesky word-of-mouth can be a helluva thing sometimes.

Nikki Finke at Deadline has reported that there was a great deal of behind-the-scenes consternation by the marketing department, as they were only able to see 70% of the final cut two weeks prior to release day. Constant tinkering and refining of visual effects were cited as a blaming factor, but after audiences responded dismally to the teasers as far back as the fall of 2010, a push-and-pull developed with Warner Bros. and DC Entertainment on whether to focus on Ryan Reynolds solely in the marketing or draw in the supporting alien characters to define a new brand. What resulted was a bit of both strategies put into place which, it is speculated, led to confusion amongst those interested but not familiar with the source material.

Good marketing/bad marketing/late delivery of final product...ultimately, the film is just not good. Rotten Tomatoes assigns a 21% ranking for the film, which trails dozens of points behind "Thor" and "X-Men" earlier this year. Ultimately, all of the drafts and rewrites and rewrites again, along with the problematic post-production woes are what contributed to the film's precipitous slide from Friday through Sunday. Typically, with this opening Warner Bros. could expect a film to gross $150-$175 million; however, tracking and trending may place this closer to the $120-$130 million range, which would require huge worldwide numbers to make the film profitable.

Chilly penguins freeze up the box office, there is no actual art in getting by it seems, and a Tree sprouts while Paris suffers a minor setback. All of this and the Top 40 rankings, as of Monday afternoon, after the cut!


MR. POPPER'S PENGUINS

Oof. Jim Carrey's return to family-friendly filmmaking was met with a shoulder shrug as "Mr. Popper's Penguins" turned in a subpar $18.4 million opening. Adapted very loosely from the 1938 children's novel of the same name, families were rather cold to the film and Fox were hoping to have the film land in the low-20's for an opening weekend. They simply didn't get there and whether it be poor reviews (43% on Rotten Tomatoes), or the fact that the movie seems much more suited for a holiday/fall release then positioning in the blockbuster-laden summer, Fox seems to have misjudged this along the way.

Perhaps this is an indicator that Jim Carrey's bankability may be officially heading down the other side of the hill. Carrey has not had a massive success since 2003's "Bruce Almighty" grossed more than $242 million domestic/$484 million worldwide. He's certainly cleared the $100 million mark since then, but "...Penguins" looks to finish around $50-$55 million with this tracking. Unless it has a significant hold against this weekend's "Cars 2", this will be Carrey's lowest grossing wide release since 2007's "The Number 23" grossed $35.2 million stateside.

So again I ask...why did this come out now and not the fall?

THE ART OF GETTING BY

Another poorly reviewed film saw a tepid and unenthusiastic greeting from audiences as Freddie Highmore and Emma Roberts failed to spark "The Art Of Getting By". Opening just short of a wide release at 610 locations, the film earned $679k and a paltry $1,113 per screen average. Fox Searchlight were hoping for a platform expansion in the coming weeks but the film was reviewed as a carbon copy indie romantic dramedy that has been made and gets made several times a year. Although budgets were not released by Fox Searchlight, this film may close its stateside run with a gross between $2-$4 million, unless expansion plans are retained.

THE TREE OF LIFE

It feels like its taken forever but "The Tree Of Life" finally earned its first million-dollar weekend, grossing $1.2 million in 114 locations. The increase was a strong 40.7% uptick and the film has retained its buzz amongst discerning filmgoers who are looking for something not loud and noisy. Fox Searchlight had rolled out the film incrementally each weekend in June and the final push will be made this weekend, although the expansion was not released at press time.

The only film coming soon that looks to pull more mainstream audiences away from checking this out would seem to be the Tom Hanks/Julia Roberts romantic comedy, "Larry Crowne" on July 1, which Universal is expecting to bring in a big opening as counterprogramming to "Transformers: Dark Of The Moon." "The Tree Of Life" has a budget of $32 million and has banked $19 million worldwide thus far.

MIDNIGHT IN PARIS

Woody Allen's "Midnight In Paris" took its first hit this weekend, dipping 16.2% for a $4.9 million weekend. Slightly troubling is that film expanded further to more than 1,000 screens this past weekend and still stumbled with larger access. The film has made $21.4 million thus far in North America and nearly $40 million worldwide. With the film profitable, it will be interesting where this film lands in Allen's box office history.

THE TRIP

Steve Coogan and Rob Brydon's darkly comedic road trip film "The Trip" had a healthy second weekend gain of 126.4% as it moved from 6 screens to 30. Drawing a pronounced $5,879 per screen average, the film has banked $290k in 10 days of small scale availability. The film is a sequel of sorts to the 2006 film "Tristram Shandy: A Cock and Bull Story", which earned $1.3 million with its run.

ADDITIONAL INDEPENDENT OPENINGS

Four documentaries opened to big audiences and conflicting critical reception.

"Jig", a simply described look at the 40th Irish Dancing World Championships, logged $70k on 5 screens. The film also earned Screen Media Films its third biggest opening weekend ever. Critics were split on the film and it holds a 58% approval through Rotten Tomatoes presently.

"Buck", a more marketed and better reviewed effort about a charismatic man, Buck Brennaman, who has turned his entire life over to raising, training, and educating about horses, scored a higher per screen average than "Jig", but with one less screen finished with a starting sum of $67k.

"Page One: An Year Inside The New York Times" drew some Oscar buzz initially and saw critics approve the film to the tune of 79%. The film played one two New York locations and began its run with $28k.

"Battle For Brooklyn", a searing documentary focused on the Brooklyn housing projects, kickstarted an $11k opening from just one screen and a 70% critical reception.

REMAINING TOP 12 FILMS

"Bridesmaids" continues to be the story amongst the holdovers in the upper reaches of the chart. Sliding 29% in its 6th weekend, the film has tallied more than $136 million thus far and shows no signs of sliding massively on its own merit. As theaters give its space away, the numbers will drop more dramatically, but this is easily one of the most noteworthy box office stories of 2011.

THE DISCOUNT HOUSE

"The Lincoln Lawyer" surged 135% with its placement in second run houses this past weekend. The film arrives on DVD July 12 and has earned more than $57 million in its box office run.

Disney films continued to perform strong when released in the second run houses as "African Cats" surged almost 250% from its placement there. Unfortunately, the per screen average for the film was second-worst among films playing at more than 50 locations.

THE WEEKEND BREAKDOWN

#1 Film - "Green Lantern", earned $53.2 million in its debut weekend.

Last Year's #1 Film at this time: "Toy Story 3", opened with a $110.3 million debut weekend.

Biggest Per Screen Average: "Green Lantern", $13,935 at 3,816 locations ($53.2 million cumulative)

Worst Per Screen Average (50+ Sites): "Prom", $466 at 72 locations ($34k, $10.1 million cumulative)

Largest Increase (50+ Sites): "African Cats", +249.2%

Steepest Decline (50+ Sites): "Judy Moody and the NOT Bummer Summer", "Ready", -65.4%

Films Earning More Than $1m for the weekend: 12

Films Which Surpassed $100m: N/A

Films Which Surpassed $200m: N/A

Films Which Surpassed Reported Budget This Weekend (Domestic): "Super 8"

The Top 40 and other notables!

TW	LW	DAY	FILM	WKD	TOTAL	% CHG
1	N	3	Green Lantern	$53.2m	$53.2m	New
2	1	10	Super 8	$21.5m	$73.0m	-39.4
3	N	3	Mr. Popper's Penguins	$18.4m	$18.4m	New
4	2	17	X-Men: First Class	$11.9m	$120.4m	-50.5
5	3	25	The Hangover Part II	$10.1m	$233.1m	-43.0
6	4	25	Kung Fu Panda 2	$9.0m	$143.7m	-45.4
7	6	38	Bridesmaids	$7.1m	$136.5m	-29.5
8	5	31	Pirates of the Caribbean: On Stranger Tides	$6.6m	$220.7m	-39.3
9	8	31	Midnight In Paris	$4.9m	$21.4m	-16.2
10	7	10	Judy Moody/NOT Bummer Summer	$2.1m	$11.0m	-65.4
11	11	24	The Tree Of Life	$1.2m	$3.9m	+40.7
12	9	45	Thor	$1.1m	$176.1m	-53.0
13	10	52	Fast Five	$872k	$206.8m	-49.5
14	N	3	The Art Of Getting By	$679k	$679k	New
15	12	66	Rio	$518k	$138.7m	-22.8
16	18	17	Beginners	$355k	$909k	+46.1
17	13	59	Water For Elephants	$305k	$57.2m	-36.3
18	16	73	Soul Surfer	$243k	$42.6m	-17.7
19	17	52	Cave Of Forgotten Dreams	$241k	$4.1m	-7.8
20	19	73	Born To Be Wild IMAX	$219k	$7.2m	+6.4
21	15	45	Jumping The Broom	$211k	$37.1m	-54.0
22	14	45	Something Borrowed	$203k	$38.1m	-56.4
23	32	94	The Lincoln Lawyer	$199k	$57.4m	+135.3
24	33	10	The Trip	$176k	$290k	+126.4
25	21	108	Rango	$148k	$122.8m	-16.2
26	22	80	Source Code	$121k	$54.4m	-30.3
27	30	458	Hubble 3D	$115k	$25.8m	+21.7
28	25	52	Hoodwinked Too! Hood Vs. Evil	$96k	$9.8m	-20.3
29	23	80	Insidious	$90k	$54.4m	-34.0
30	24	59	Incendies	$88k	$1.5m	-33.3
31	27	94	Limitless	$74k	$79.1m	-32.3
32	N	3	Jig	$70k	$70k	New
33	N	3	Buck	$68k	$68k	New
34	20	17	Ready	$66k	$910k	-65.4
35	29	73	Hanna	$59k	$40.1m	-40.8
36	54	59	African Cats	$58k	$15.0m	+249.2
37	40	17	Submarine	$58k	$208k	+4.4
38	37	87	Diary Of A Wimpy Kid: Rodrick Rules	$50k	$52.6m	-21.6
39	31	66	The Double Hour	$47k	$1.2m	-46.4
40	39	101	Jane Eyre	$46k	$11.1m	-27.5

BUBBLING UNDER INCREASES AND OPENINGS:

47. “Page One: A Year Inside The New York Times”, $29k, NEW

52. "The Last Mountain", $20k, $65k total, +77.1%

55. "Beautiful Boy", $16k, $49k total, +180.7%

58. “Trollhunter”, $13k, $21k total, +138.2%

59. “City Of Life And Death”, $13k, $52k total, RE-RELEASE