Showing posts with label Anton Yelchin. Show all posts
Showing posts with label Anton Yelchin. Show all posts

Here's the Poster for Like Crazy

The Poster seems to have more going on than it appears to at first glance, and I like it...thoughts?

Behold the Trailer for the Sundance hit and Oscar hopeful Like Crazy!

Is this potentially the indie breakout of the year? Take a look and judge for yourself:
-Joey's Two Cents: It looks like a hybrid of (500) Days of Summer and Blue Valentine, and if it approaches the quality of either of those two phenomenal films, it'll be a major player. For now, it's a great looking trailer that hints at a rather moving story. I'm in...thoughts?

Felicity Jones will work again with her ‘Like Crazy’ helmer Drake Doremus...

...which, considering how strong the buzz on Like Crazy is, makes me excited for the film. Here's the story from The Playlist:

Sundance may be located in the middle-of-nowhere Utah, be a pain the ass to get to and be ridiculous expensive but there is a reason every budding filmmaker dreams of taking the journey—it can make (or break) your career. For Drake Doremus, he saw everything change with his low key long-distance romance tale “Like Crazy.” After directing three little seen features, Doremus soon found himself as the center of attention with the picture earning strong reviews, great buzz for the performances byAnton Yelchin and Felicity Jones and walked away from the festival with a distribution deal withParamount. And oh yeah, he also took home a Grand Jury Prize for his film as well. Not bad. Well, he’s riding that wave into his next effort and he’s lined up a solid cast to work with.

Jones will return to work with Doremus along Guy Pearce and Amy Ryan also signing on for his next, and currently untitled film. You see? That’s the awesome kind of casting Sundance buzz gets you. Penned by Doremus and Ben York, his collaborator on “Like Crazy,” details are being kept under wraps but the film will center on love and marriage. So maybe a spiritual sequel of sorts to “Like Crazy”? At any rate, Doremus is sticking with thematic material that has served him well already.

Indian Paintbrush, who partnered with Paramount in acquiring “Like Crazy,” are financing the film and it’s moving fast—it will start shooting next month. It looks like Doremus is too reveling in the good word surrounding his Sundance hit and is getting right back to work. No release date yet but we presume this will find its way to theaters sometimes next year.

As for “Like Crazy,” you can see if it deserved the hype when it opens on October 28th.

-Joey's Two Cents: I can't wait...thoughts?

Can Mel Gibson salvage his career and image with The Beaver?

Well, that remains to be seen, but the potential is certainly there, considering the script for The Beaver is kind of brilliant. I go over it in my Script Review of the film here, but suffice to say, Gibson has got an Oscar worthy role to play with (not to mention juicy supporting parts for supporting players Anton Yelchin and Jennifer Lawrence). The early word from screenings was very positive as well, so if audiences are willing to pay to see Mel again, this could be not just a critical hit, but a commercial one as well.

Here's an excerpt from our exclusive Script Review:

In terms of awards potential, I’d look at Best Original Screenplay as where the best possibility lies. If the movie is a hit, Best Actor is where the love should go, though don’t count out Best Supporting Actor, Best Supporting Actress (Lawrence), or even Best Director. I don’t know that it’ll be the Academy’s cup of tea, but the potential is there.
Overall, ‘The Beaver’ is one of the best scripts I’ve read in a while. It’s different, but not in an off-putting way. It’s incredibly
touching, and while some may not be thrilled with its choice of denouement, I found it perfect and apt. The premise may be a hard sell, but I can assure you, this will be worth your time. I’m very much looking forward to seeing the movie. If the script is properly executed on screen, this could easily be one of the best films of 2011.

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Go check out the latest Awards Circuit Script Review (the first of 2011 after The Social Network and Buried were two of the prominent ones featured last year) and let me know what you think!

-Can Mel Gibson ever get back to being considered a respected actor, or will he have to move completely behind the camera in the future?